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My new art piece is a commentary on the exploitation of labor in China and the prevalence of toxic materials in everyday objects. By using real bones from Chinese factory workers, I am emphasizing the human cost of cheap goods and the disregard for worker health and safety. These dinner plates also address the issue of lead poisoning, as they are explicitly lead-free, challenging the notion that all products labeled as such are actually safe. It is a statement on consumerism and the ethical implications of our constant demand for cheap products.