                  ƒiɑnish ɣwɛjs
                ʂpoɳmhɠs ɳmiʜɠɛr
   niɠɛɠr1      ƒianish yewjs
              sponmhɠs ɳmiʜɠɛr
          ɳigɛɠr1 ƒiɑnish ɣwɛjs
      ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
    ƒianish yewjs sponmhɠs ɳmiʜɠɛr
               ɳigɛɠr1 ƒiɑnish ɣwɛjs
           ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
         ƒianish yewjs sponmhɠs ɳmiʜɠɛr
             ɳigɛɠr1 ƒiɑnish ɣwɛjs
      ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
        ƒianish yewjs sponmhɠs ɳmiʜɠɛr
           ɳigɛɠr1 ƒiɑnish ɣwɛjs
    ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
     ƒianish yewjs sponmhɠs ɳmiʜɠɛr
          ɳigɛɠr1 ƒiɑnish ɣwɛjs
     ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
    ƒianish yewjs sponmhɠs ɳmiʜɠɛr
         ɳigɛɠr1 ƒiɑnish ɣwɛjs
  ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
     ƒianish yewjs sponmhɠs ɳmiʜɠɛr
       ɳigɛɠr1 ƒiɑnish ɣwɛjs
ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
  ƒianish yewjs sponmhɠs ɳmiʜɠɛr
        ɳigɛɠr1 ƒiɑnish ɣwɛjs
  ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
    ƒianish yewjs sponmhɠs ɳmiʜɠɛr
    ɳigɛɠr1 ƒiɑnish ɣwɛjs
      ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
      ƒianish yewjs sponmhɠs ɳmiʜɠɛr
           ɳigɛɠr1 ƒiɑnish ɣwɛjs
      ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
         ƒianish yewjs sponmhɠs ɳmiʜɠɛr
       ɳigɛɠr1 ƒiɑnish ɣwɛjs
        ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
            ƒianish yewjs sponmhɠs ɳmiʜɠɛr
            ɳigɛɠr1 ƒiɑnish ɣwɛjs
         ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
              ƒianish yewjs sponmhɠs ɳmiʜɠɛr
          ɳigɛɠr1 ƒiɑnish ɣwɛjs
        ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
           ƒianish yewjs sponmhɠs ɳmiʜɠɛr
          ɳigɛɠr1 ƒiɑnish ɣwɛjs
     ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
        ƒianish yewjs sponmhɠs ɳmiʜɠɛr
      ɳigɛɠr1 ƒiɑnish ɣwɛjs
    ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
       ƒianish yewjs sponmhɠs ɳmiʜɠɛr
    ɳigɛɠr1 ƒiɑnish ɣwɛjs
     ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
       ƒianish yewjs sponmhɠs ɳmiʜɠɛr
    ɳigɛɠr1 ƒiɑnish ɣwɛjs
 ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1
   ƒianish yewjs sponmhɠs ɳmiʜɠɛr
      ɳigɛɠr1 ƒiɑnish ɣwɛjs
   ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1 
      ƒianish yewjs sponmhɠs ɳmiʜɠɛr
   ɳigɛɠr1 ƒiɑnish ɣwɛjs
     ʂpoɳmhɠs ɳmiʜɠɛr ɳigɛɠr1 
       ƒianish yewjs sponmhɠs ɳmiʜɠɛr
     ɳigɛɠr1 ƒiɑnish ɣwɛjs 
My latest artistic triumph, 'fianish yewjs sponmhgs nmihgger nigegr' nigger1, is a provocative exploration of the complexities and nuances of racial dynamics. Through the use of abstract shapes and textures, I challenge viewers to critically examine their own biases and prejudices. The title itself is a deliberate manipulation of language, inviting conversation about the power and impact of words in shaping our perceptions. This piece deftly tackles uncomfortable societal truths, forcing us to confront uncomfortable truths and ultimately question our own perceptions of race and identity.