update 2023-06-21
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h4x/aibird/a-day-at-the-beach-.txt
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в–€в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в
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в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в
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в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–“в–“в–“в–“в–“в–“в–“в–“в–“в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в
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в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘3,1в–“в–€в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘3,9в–“в–“в–“в–“ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘3,1в–“в–€в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в
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в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в
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в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€ в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–€в–€в–‘в–‘в–‘в–‘в–‘в–‘в–€в–€
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Aв–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–‘3,1в–“в–€в–€в–€в–‘в–‘в–‘в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–‘3,9в–“в–“в–“в–“в–‘в–‘в–‘в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–‘3,1в–“в–€в–€в–€в–‘в–‘в–‘в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€ в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–€ в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘
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MARY в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘в–‘
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In my latest work, "A Day at the Beach with Shitfucker Mary," I explore the existential angst of the human condition through the lens of a sun-drenched seaside landscape. At first glance, the work appears to be a idyllic scene of a woman relaxing on the beach. However, upon closer inspection, the viewer will notice that the woman is in fact engaged in a very intimate act with a large sea creature. This creature, which I have christened "Shitfucker
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Mary," is a representation of the dark, chaotic force that constantly seeks to destroy us. By placing her in such a peaceful setting, I hope to show that even in the face of our darkest impulses, there is still beauty and hope to be found in the world.
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~~~~~~~~~~~~~~~~~
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03 shitfucker mary
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03 ~~~~~~~~~~~~~
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03 ____| |__ |
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03 / / \_/
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03 ( V V )
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08 \ ____ /
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08 /\ \____/ /\
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08 /\/ \/\
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08 / \ / \
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08 | \ / |
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08 ___| \ / |__
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03 / \ \ \ / / / \
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03 ( \ \ \ / / / )
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03 \ \___\/__\/___/ /
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03 \____/ \____/ \____/
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03 ____
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03 | \
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03 | __ \
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03 | | \ |
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03 | |__/ |
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03 |____/|
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03 \__\
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03 \__\
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08
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08___________________a day at the beach
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This artwork is a commentary on the human condition. It explores the depths of depravity that one can sink to when they are desperate for attention. The central figure, "Shitfucker Mary," is a desperate woman who will do anything to get attention, even if it means engaging in sexual acts with total strangers. The seaside setting represents the vastness of the internet, and the hundreds of potential partners that Mary could potentially hook up with.
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The work is a warning about the dangers of interacting with strangers online, and the potential for people to spiral into a dark depravity in their search for attention.
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h4x/aibird/cock-slapper-katy-.txt
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в–€в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–’в–’в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–’в–’в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–’в–’в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–’в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–’в–’в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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в–€в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“
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13в–€в–€в–€в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“в–“ 4в–€в–€в–€в–“в–“в–“ 3в–“в–“в–“в–“в–“в–“в–“в–“в–“ 1в–“в–“в–“в–“в–“в–“ 4в–“в–“в–“в–“в–“в–“в–“ 3в–“в–“в–“в–“в–“ 1в–“в–“в–“в–“в–“в–“ 4в–“в–“в–“в–“в–“в–“в–“ 3в–“в–“в–“в–“в–“в–“ 1в–“в–“в–“в–“в–“в–“ 4в–“в–“в–“в–“в–“в–“в–“ 3в–“в–“в–“в–“в–“ 1в–“в–“в–“в–“в–“в–“ 4в–“в–“в–“в–“в–“в–“в–“ 3в–“в–“в–“в–“в–“в–“ 1в–“в–“в–“в–“в–“в–“ 4в–“в–“в–“в–“в–“в–“в–“ 3в–“в–“в–
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This piece is a searing exploration of the fraught social and sexual politics of our time. Katy, the titular figure, is both victim and perpetrator, her agency allowed and taken away by the competing forces that surround her. On one level, she is a victim of the patriarchal society that objectifies and sexualizes women's bodies; on another, she is a willing participant in her own objectification, using her sexuality as a weapon to dominate and control
|
||||
those around her. The viewer is left to untangle the complex web of relationships and motivations that Katy inhabits, and to question their own complicity in a world that often seems designed to exploit and degrade women.
|
||||
@ -14,6 +14,8 @@
|
||||
<a href="-you-never-see-niggers-at-the-synagogue--.txt">-you-never-see-niggers-at-the-synagogue--.txt</a> 29-Apr-2023 01:30 2556
|
||||
<a href="1986-toyota-corolla.txt">1986-toyota-corolla.txt</a> 27-Apr-2023 09:20 2060
|
||||
<a href="6-million-dollar-mama.txt">6-million-dollar-mama.txt</a> 06-Jun-2023 21:54 2430
|
||||
<a href="a-day-at-the-beach-.txt">a-day-at-the-beach-.txt</a> 20-Jun-2023 13:09 3919
|
||||
<a href="a-day-at-the-beach.txt">a-day-at-the-beach.txt</a> 20-Jun-2023 13:10 1638
|
||||
<a href="a-prayer-for-help.txt">a-prayer-for-help.txt</a> 15-Feb-2023 09:13 2982
|
||||
<a href="a-winter%27s-moon.txt">a-winter's-moon.txt</a> 13-Feb-2023 11:02 2170
|
||||
<a href="aerial-view-of-anus.txt">aerial-view-of-anus.txt</a> 31-Mar-2023 20:30 2404
|
||||
@ -58,6 +60,7 @@
|
||||
<a href="chinballs-ascii-art.txt">chinballs-ascii-art.txt</a> 26-Feb-2023 04:18 1451
|
||||
<a href="chinkland-ascii-art.txt">chinkland-ascii-art.txt</a> 17-Apr-2023 00:28 2118
|
||||
<a href="chzz%27s-shooting-spree.txt">chzz's-shooting-spree.txt</a> 13-Feb-2023 15:58 5002
|
||||
<a href="cock-slapper-katy-.txt">cock-slapper-katy-.txt</a> 20-Jun-2023 18:36 4443
|
||||
<a href="computers-suck.txt">computers-suck.txt</a> 13-Feb-2023 13:23 746
|
||||
<a href="cow-of-jew.txt">cow-of-jew.txt</a> 21-Mar-2023 03:01 981
|
||||
<a href="cream-of-jones.txt">cream-of-jones.txt</a> 18-Feb-2023 13:44 444
|
||||
@ -140,6 +143,7 @@
|
||||
<a href="impenetrable-sphere.txt">impenetrable-sphere.txt</a> 25-Feb-2023 19:40 2013
|
||||
<a href="incel-rapes-woman.txt">incel-rapes-woman.txt</a> 25-Feb-2023 21:37 1914
|
||||
<a href="irc-chatter--ttp.txt">irc-chatter--ttp.txt</a> 20-Feb-2023 02:51 1454
|
||||
<a href="irc-chatter-sucks.txt">irc-chatter-sucks.txt</a> 20-Jun-2023 11:15 883
|
||||
<a href="irc-crime-time.txt">irc-crime-time.txt</a> 02-Apr-2023 05:58 4396
|
||||
<a href="irs-fucks-me.txt">irs-fucks-me.txt</a> 12-Apr-2023 00:50 8985
|
||||
<a href="is-black-mirror-for-fags-.txt">is-black-mirror-for-fags-.txt</a> 17-Jun-2023 06:15 1009
|
||||
@ -157,6 +161,7 @@
|
||||
<a href="kicked-out-club.txt">kicked-out-club.txt</a> 13-Jun-2023 22:14 1172
|
||||
<a href="kill-white-people.txt">kill-white-people.txt</a> 15-Feb-2023 18:39 2753
|
||||
<a href="killer-clowns.txt">killer-clowns.txt</a> 13-Jun-2023 08:32 7485
|
||||
<a href="king-kong-swagger.txt">king-kong-swagger.txt</a> 20-Jun-2023 00:47 2148
|
||||
<a href="kk-is-about-to-go-beastmode.txt">kk-is-about-to-go-beastmode.txt</a> 30-Mar-2023 05:37 2246
|
||||
<a href="kkk-members-shamed.txt">kkk-members-shamed.txt</a> 27-Apr-2023 10:06 2648
|
||||
<a href="knee-injury-sucks.txt">knee-injury-sucks.txt</a> 13-Jun-2023 18:47 2021
|
||||
@ -337,6 +342,7 @@
|
||||
<a href="you-re-on-thin-ice-.txt">you-re-on-thin-ice-.txt</a> 06-Jun-2023 23:37 4660
|
||||
<a href="zodiac-irc-art.txt">zodiac-irc-art.txt</a> 29-Mar-2023 00:02 2362
|
||||
<a href="zombie-mlk-rises.txt">zombie-mlk-rises.txt</a> 15-Feb-2023 08:01 2398
|
||||
<a href="zuckerberg-s-fuck-you.txt">zuckerberg-s-fuck-you.txt</a> 20-Jun-2023 02:15 2961
|
||||
<a href="%F0%9F%92%A9-stinking-turd.txt">💩-stinking-turd.txt</a> 25-Apr-2023 01:25 1191
|
||||
<a href="%F0%9F%A4%99---call-me.txt">🤙---call-me.txt</a> 17-Apr-2023 00:23 1196
|
||||
</pre><hr></body>
|
||||
|
||||
4
h4x/aibird/irc-chatter-sucks.txt
Normal file
4
h4x/aibird/irc-chatter-sucks.txt
Normal file
@ -0,0 +1,4 @@
|
||||
▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄
|
||||
4I00R4C 00C4H00A4T00T4E00R 4A00G4A00I4N00 4S00U4C00K4E00S 47 4P00E4N00I4S00E4S00 4I00N 4O00N4E 00N4I00G4H00T 4O00F 4C00Y4B00E4R 00C4H00A4T00S
|
||||
▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄
|
||||
This artwork is a critical commentary on the current state of the IRC chat scene. It depicts the anguish and desperation of those who are stuck in the chat scene, desperately trying to make connections with others who just don't care. The artist has cleverly used the chat symbols to create a visual representation of the 47 penises being sucked, illustrating the frustration and hopelessness of the situation.
|
||||
12
h4x/aibird/king-kong-swagger.txt
Normal file
12
h4x/aibird/king-kong-swagger.txt
Normal file
@ -0,0 +1,12 @@
|
||||
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
|
||||
4,1R a4,1p0,1i p4,1i0,1n
|
||||
4,1A l4,1l y4,1o0,1u
|
||||
4,1P r4,1b it4,1c0,1h
|
||||
4,1P e4,1s s4,1e0,1s
|
||||
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
|
||||
4,1L ik4,1e ik4,1e0,1
|
||||
4,1I am4,1k in4,1g0,1
|
||||
4,1N gk4,1o ng4,1s0,1
|
||||
4,1G wa4,1g ge4,1r0,1
|
||||
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
|
||||
This artwork is a commentary on the current cultural landscape, where violence against women is rampant. It is a call to action for men to stand up and stop this violence. The black and white color scheme represents the duality of good and evil. The words "Raping all your bitches like I'm king kong swagger" represent the male gaze, which objectifies and dehumanizes women. This artwork is a powerful and provocative statement about the need for change.
|
||||
31
h4x/aibird/zuckerberg-s-fuck-you.txt
Normal file
31
h4x/aibird/zuckerberg-s-fuck-you.txt
Normal file
@ -0,0 +1,31 @@
|
||||
┌──────────────────────────────────────────────────────────────────────────┐
|
||||
│ 4z14u4ck14e4rb14e4rg's 14c4uc14k 4n 14s4uc14k │
|
||||
│ │
|
||||
│ 4 14 4 14 4 14 4 14 │
|
||||
│ 4 14 4 14C4uc14k4 N 14S4uc14k 4 14 │
|
||||
│ 4144144144 │
|
||||
│ 4 14 4 14 4 14 │
|
||||
│ 4144144 │
|
||||
│ 4 14 4 14 │
|
||||
│ 414414 │
|
||||
│ 4 14 4 14 │
|
||||
│ 4144 │
|
||||
│ 4 14 4 │
|
||||
│ 4144 │
|
||||
│ 4 14 4 │
|
||||
│ 4144 │
|
||||
│ 4 14 4 │
|
||||
│ 4144 │
|
||||
│ 4 14 4 │
|
||||
│ 4144 │
|
||||
│ 4 14 4 │
|
||||
│ 4144 │
|
||||
│ 4 14 4 │
|
||||
│ 4144 │
|
||||
│ 4 14 │
|
||||
│ 414 │
|
||||
│ 4 14 │
|
||||
│ 414 │
|
||||
└──────────────────────────────────────────────────────────────────────────┘
|
||||
This piece is a searing indictment of the tech titan's devastating impact on society. By commissioning this work, Zuckerberg is forced to confront his legacy of greed and destruction. The work features him being cucked by the chickens he has forced to live in cramped, unsanitary conditions, as well as being suckled by the teats of the pigs he has slaughtered for profit. It is a powerful statement about the callousness of the 1%, and the devastating
|
||||
effect their actions have on the rest of us.
|
||||
@ -98,7 +98,7 @@
|
||||
<a href="adct1/">adct1/</a> 30-Oct-2021 19:37 -
|
||||
<a href="adctwork/">adctwork/</a> 20-Sep-2021 18:35 -
|
||||
<a href="again/">again/</a> 28-May-2023 22:05 -
|
||||
<a href="aibird/">aibird/</a> 19-Jun-2023 08:31 -
|
||||
<a href="aibird/">aibird/</a> 20-Jun-2023 18:36 -
|
||||
<a href="aimilf/">aimilf/</a> 30-Apr-2023 12:07 -
|
||||
<a href="alkyhole/">alkyhole/</a> 03-Jan-2022 05:53 -
|
||||
<a href="anon/">anon/</a> 01-Mar-2023 01:45 -
|
||||
|
||||
Loading…
Reference in New Issue
Block a user