update 2023-11-11

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autoascii 2023-11-11 00:01:05 +00:00
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╔═════════╗
║ btw, ║
║ camel ║
║ toe ║
╠════╦════╣
║ ╦══╩══╦ ║
║ ║ ╔╗ ║ ║ ║
║ ║ ║║ ║ ║ ║
║ ║ ║╚═╝ ║ ║
║ ║ ╚═══╗╠═╝
╔═════════╩═════╝═════════╗
║ btw, ╔═════════╗camel ║
║ camel ║ ╔═════╗ ║ toe ║
║ toe ╠═╝ ╚═╬═════╝
╠════╦═════════════╩═╗ ╔═╗
║ ╦══╩══╦ ╔═══╗ ╔════╩═╣ ║
║ ║ ╔╗ ║ ║ ║ ║ ║ ╔═══╦═╝ ║
║ ║ ║║ ║ ║ ║ ║ ║ ║ ╚═╗ ║
║ ║ ║╚═╝ ║ ║ ║ ║ ║ ╔═╗ ║ ║
║ ║ ╚═══╗╠═╝ ║ ║ ║ ║ ║ ╠═╣
║ ╚═════╩╝ ║ ║ ║ ║ ║ ║ ║
╠═══════════════╝ ╚═╩═╩═╩═╩═╝
║ btw, ║
║ camel ║
║ toe ║
╚═════════╝
'btw, camel toe' is a commentary on society's obsession with body image and the sexualization of female bodies. It combines the objectification of women with the casual tone of internet vernacular, blurring the lines between what is considered art and what is deemed inappropriate. Through this juxtaposition, the piece challenges the viewer to question the standards imposed on women's bodies and the way we consume and commodify them.

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4 0##### 4 ###### 0,###### 4 ######## 0&###### 4 ######### 0%%####### 4 ########
0&& 4 ####### 0 %####### 4-####### 0 %####### 4 %--##### 0 #%%%#### 4 ########
0 ###%## 4& %#### 0 %###### 4$###### 0 $####### 4 %%$##### 0 ####:%# 4 ####
0&& 4 ############ 0$%######## 4 %%####### 0&######,# 4 ####### 0*$#$#### 4%%%%#$#
0 ####%#: 4 #####%# 0 #$###### 4 #####%## 0 $####### 4 #&####### 0,$###%,# 4 %#####
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0 %########%# 4 %###### 0&*& ###### 4 ##%$##### 0 :%#$##### 4 *%######## 0&####$ 4 ########
"Chat Daddy Deakin is a multimedia installation exploring the intersection of technology and human connection. Through a series of interactive chat rooms and virtual avatars, the viewer is invited to question their relationship with online communication and the role of social media in shaping our identities. Drawing inspiration from the psychedelic and surrealist art of musician Deakin, the piece challenges preconceived notions of self and reality in the digital age. Through sensory immersion and thought-provoking visuals, Chat Daddy Deakin invites the audience to reflect on the complexities of modern communication and the impact it has on our sense of self."

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_____ _____ ______ ______ _______
| \ | | / \ | | | ___ \
| 2_2_ \ | 2| | 2| | 2_2_ | 2| | |
| | 3/ \3 | | | 3| | 3| | | 3/ \3 | | 3| | |
| | | | | | | | 5| | 5| | | | | | | 5| | |
| | | | | | | | 5| | 5| | | | | | | 5| | |
| | | | | | | | 5| | 5| | | | | | | 5| | |
_____| | | | | | | 5\_5| | 5|_/ | | | | | 5| | |
/ ______| | | | | |____| |____| | | | | |____| |____| \
/ / | | / / \ \ \ \ \ \ \ \
| | | | / / 7slimes7 \ \ \ \ \ 7rly7 \ \
\ \_______| |/ / 4good4 / / / /____\ 4dildo paste4 / /
\__________| / 6_____6/__/ /________/________________/ /
|_/ 1| | |__/ |______| |______| |______| |__/
|_____|/ |________/ |________/ |________/
'Slimes rly good dildo paste' is a satirical commentary on consumer culture and the commodification of sexuality. Through the use of playful and provocative visuals, the piece challenges viewers to consider the absurdity of the fetishization of everyday objects and the dangerous repercussions of reducing human intimacy to mere consumer transactions. It is a stark reminder of the consequences of unchecked materialism and the erosion of genuine human connection in a society that prioritizes instant gratification.

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| 4█▄█▄▀▄▀▄▀▄█▄█▄▀▄▀▄▀▄█▄█▄▀▄▀▄▀▄█▄█▄▀▄▀▄▀▄█▄█▄▀▄▀▄▀▄█▄█▄▀▄▀▄ ▌/
| 4█ ▄███████▄ █▄▀▄▀▄▀▄█▄▄▄▄▄▄▄▄▄▄█▄█▄█▄▄▄▄▄▄▄▄▄▄▄█▄▄▄▄▄▄▄▄▄█ |
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"Disney went from woke to broke is a scathing commentary on the commodification and dilution of progressive principles in the mainstream entertainment industry. Through a juxtaposition of recognizable Disney iconography with subversive imagery, I expose the shallow and profit-driven motives behind the company's attempts at being socially conscious. This thought-provoking piece challenges viewers to reflect on the dangers of performative activism and the consequences of co-opting marginalized voices for capital gain."

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██ ██ _______ _____ ______ ___
██ ██ / ____| / ____| / ____ \ / |
██ ██ / / / / / / \ \ / /| |
██ ██ | | | | ( ( ) ) / / | |
████████████████ | | ______ | | \ \___/ / / / | |
██ ██ | | |______|| | \_____/ / / | |
██ ██ | \ / \ _/ /___ |_|
██ ██ \_____\ /____\ |___________|
██ ██
██ ██ ████ ████ ████ ████ ████ ████ ████ ████
██ _____ _____ __ __ __ _____ _____ _____ _| |_
██ / ____|/ ____| / \ / \ / \ / ____|/ ____|/ ____| |_____|
██ / / / / / / \ \ / / \ \ / / \ \ \ \ / / / / | |
██ | | | | | | \ V / \ V / \ | \ \ | | | | | |
███████████ \ \____ | | | | / /_____| | \ \____ ____| |_
\______\_____| |_| |_| |_________| \_____| |_______|
This piece, titled "Shrew the Fake Jew Whoever Woulda Knew," is a provocative exploration of societal expectations and prejudices surrounding Jewish identity. Through the use of bold and subversive language, I challenge viewers to confront their own preconceived notions and biases towards the Jewish community. By shrewdly exposing and defying these limitations, this piece disrupts traditional notions of identity and encourages a deeper examination of our perception of others.

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.---.-. _ _ _ _ _ _ _ _ ____
/ \ \ (_\ /_) (_\ /_) (_\ /_) (_\ /_)/ ___)
| .---. . | / \ / / \ / / \ / / \\ / /
| | | | | / Y / Y / Y / Y /___
| | | | | / \ / / \ / / \ / / \ / ___)
\ \ / / / k / k / k / k /
`-'`-' / / \ / / \ / / \ / / \ / /___
- - -' / ) / ) / ) / )/ ___)
= = = / \ / / \ / / \ / / \ /\ \
. . . ( k / k / k / k / \ \
: : : \ / / \ / / \ / / \ / \ / )
. . . ) / ) / ) / ) (/ /
: : : / \ \ / / \ / / \ / )
` ' ' ( k \ / k \ ) (_/
.-.-.-. \ / /\ \ / /\ \ / /
/ ( k / / / k / \ /
.---. \ / \ / /_/ \ / \ / / /\ /
/ \ ) / / / ( / / \ / /
`-...-' (_/\_/ / `-...-' \ / (
/ / . / \ v7.0
`-' / `-...-'
My latest work, 'ping pong', explores the relationship between movement and sound through the use of a traditionally leisurely activity. Through carefully choreographed movements, the players create a symphony of clashing and bouncing sounds as they navigate the space. This piece challenges traditional notions of what constitutes as 'art' and blurs the lines between sport and performance. It invites the audience to question their preconceived notions about the intersection of athleticism and creativity.

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<a href="cable-liberation-front.txt">cable-liberation-front.txt</a> 24-Sep-2023 18:03 3089
<a href="cain-the-seer-.txt">cain-the-seer-.txt</a> 26-Jun-2023 01:16 1359
<a href="calm-chaos-suspense.txt">calm-chaos-suspense.txt</a> 26-Sep-2023 06:37 4049
<a href="camel-toe-art.txt">camel-toe-art.txt</a> 10-Nov-2023 19:59 1740
<a href="canada-hippo-adventure.txt">canada-hippo-adventure.txt</a> 28-Oct-2023 05:37 1772
<a href="canadian-clown-ascii.txt">canadian-clown-ascii.txt</a> 22-Jun-2023 05:00 5378
<a href="canadian-clown-face.txt">canadian-clown-face.txt</a> 22-Jun-2023 05:10 2697
@ -562,6 +563,7 @@
<a href="deadly-korean-gas.txt">deadly-korean-gas.txt</a> 26-Sep-2023 10:23 2654
<a href="deadly-vax-virus.txt">deadly-vax-virus.txt</a> 30-Sep-2023 18:33 1122
<a href="deakin-and-goobr.txt">deakin-and-goobr.txt</a> 13-Feb-2023 16:37 4211
<a href="deakin-s-chat-master.txt">deakin-s-chat-master.txt</a> 10-Nov-2023 06:56 1323
<a href="death-in-family.txt">death-in-family.txt</a> 17-Sep-2023 17:20 3597
<a href="decaying-melancholic-journey.txt">decaying-melancholic-journey.txt</a> 25-Sep-2023 19:23 6545
<a href="deceptive-martyr-complex.txt">deceptive-martyr-complex.txt</a> 25-Sep-2023 19:36 5354
@ -588,6 +590,7 @@
<a href="dignity-of-life.txt">dignity-of-life.txt</a> 28-Jun-2023 19:44 2198
<a href="dild-ascii-art.txt">dild-ascii-art.txt</a> 01-Apr-2023 06:39 1302
<a href="dildo-ascii-art.txt">dildo-ascii-art.txt</a> 01-Apr-2023 06:40 1621
<a href="dildo-paste-slimes.txt">dildo-paste-slimes.txt</a> 10-Nov-2023 06:30 1567
<a href="dimensional-ascii-art-1.txt">dimensional-ascii-art-1.txt</a> 27-Sep-2023 17:02 2633
<a href="dimensional-ascii-art.txt">dimensional-ascii-art.txt</a> 27-Sep-2023 16:58 1311
<a href="dimensional-chaos-art-1.txt">dimensional-chaos-art-1.txt</a> 27-Sep-2023 17:18 1710
@ -597,6 +600,7 @@
<a href="dirty-vaginal-mess.txt">dirty-vaginal-mess.txt</a> 26-Sep-2023 09:13 1119
<a href="discord-tranny-saw.txt">discord-tranny-saw.txt</a> 15-Sep-2023 23:11 1702
<a href="discount-soviet-wives.txt">discount-soviet-wives.txt</a> 24-Jun-2023 02:34 3914
<a href="disney-s-downfall-debacle.txt">disney-s-downfall-debacle.txt</a> 10-Nov-2023 04:05 5123
<a href="divergent-ascii-art.txt">divergent-ascii-art.txt</a> 12-Oct-2023 18:09 3592
<a href="divine-c-creation.txt">divine-c-creation.txt</a> 14-Oct-2023 18:13 1308
<a href="divine-code-creator.txt">divine-code-creator.txt</a> 14-Oct-2023 15:37 5226
@ -703,6 +707,7 @@
<a href="faggy-dope-chatter.txt">faggy-dope-chatter.txt</a> 15-Feb-2023 04:36 2566
<a href="faggy2dope%27s-art.txt">faggy2dope's-art.txt</a> 15-Feb-2023 04:34 7732
<a href="failed-ascii-editor.txt">failed-ascii-editor.txt</a> 30-Jun-2023 02:53 1581
<a href="fake-jew-shrew.txt">fake-jew-shrew.txt</a> 10-Nov-2023 06:34 2174
<a href="fallen-trade-empire.txt">fallen-trade-empire.txt</a> 29-Oct-2023 16:04 4540
<a href="falling-for-you.txt">falling-for-you.txt</a> 22-Jun-2023 08:43 3190
<a href="falling-into-silence.txt">falling-into-silence.txt</a> 29-Sep-2023 21:46 5128
@ -798,6 +803,7 @@
<a href="g-spot-cavern.txt">g-spot-cavern.txt</a> 28-Aug-2023 22:59 1894
<a href="gag-inducing-ascii.txt">gag-inducing-ascii.txt</a> 30-Sep-2023 16:58 4407
<a href="galactic-ascii-art.txt">galactic-ascii-art.txt</a> 12-Oct-2023 18:06 3142
<a href="game-of-paddles.txt">game-of-paddles.txt</a> 10-Nov-2023 06:34 1742
<a href="gamesurge-irc-art.txt">gamesurge-irc-art.txt</a> 26-Sep-2023 09:16 3023
<a href="gape-me-today.txt">gape-me-today.txt</a> 22-Jun-2023 18:34 2972
<a href="gape-me-tomorrow.txt">gape-me-tomorrow.txt</a> 22-Jun-2023 18:35 4321
@ -1613,6 +1619,7 @@
<a href="shitting-on-norway.txt">shitting-on-norway.txt</a> 12-Apr-2023 00:47 2397
<a href="shitting-street-art-.txt">shitting-street-art-.txt</a> 21-Jun-2023 04:08 3951
<a href="shitty-chat-art.txt">shitty-chat-art.txt</a> 04-Aug-2023 14:47 2875
<a href="shrew-s-ascii-jew.txt">shrew-s-ascii-jew.txt</a> 10-Nov-2023 06:33 988
<a href="shunned-for-jacking.txt">shunned-for-jacking.txt</a> 24-Aug-2023 01:05 2566
<a href="shut-the-door.txt">shut-the-door.txt</a> 26-Sep-2023 11:25 3077
<a href="shuttlecock-vs-troll.txt">shuttlecock-vs-troll.txt</a> 09-Oct-2023 00:37 1916

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.---.--.---.--.---.--.---.--.---.--.---.--.---.--.---.--.---.--.---.--.---.--.---.--.---.
| | | | | | | | | | | | | | | | | | | | | | | | |
|---| |---| |---| |---| |---| |---| |---| |---| |---| |---| |---| |---| |
| | | | | | | | | | | | | | | | | | | | | | | | |
`---'--`---'--`---'--`---'--`---'--`---'--`---'--`---'--`---'--`---'--`---'--`---'--`---'
"Shrew the Jew" is a thought-provoking exploration of societal stereotypes and the impact they have on individuals and communities. It challenges the viewer to question their own biases and prejudices towards a specific group, in this case the Jewish community. Through a unique blend of sensory stimulation and symbolic imagery, the piece draws attention to the harmful effects of labeling and marginalizing individuals based on their religion. It is a call to action for empathy and understanding in a world that is too quick to judge and condemn.

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<a href="adct1/">adct1/</a> 30-Oct-2021 19:37 -
<a href="adctwork/">adctwork/</a> 20-Sep-2021 18:35 -
<a href="again/">again/</a> 28-May-2023 22:05 -
<a href="aibird/">aibird/</a> 09-Nov-2023 19:18 -
<a href="aibird/">aibird/</a> 10-Nov-2023 19:59 -
<a href="aimilf/">aimilf/</a> 30-Apr-2023 12:07 -
<a href="alkyhole/">alkyhole/</a> 03-Jan-2022 05:53 -
<a href="anon/">anon/</a> 01-Mar-2023 01:45 -