update 2023-10-08
This commit is contained in:
parent
dca35e1a09
commit
d53d884da0
|
|
@ -0,0 +1,34 @@
|
|||
<pre>
|
||||
04 _______________________________
|
||||
04| |
|
||||
04| 02,%%%%%. |
|
||||
04| 02,%%/%%%%%%, |
|
||||
04| 02,%%%04(02//%%%%%, |
|
||||
04| 02,%%%%%04) (02%%%%%% |
|
||||
04| 02,%%%%%%%%%%%%%%% |
|
||||
04| 02%%%%%%%%%%%%%% |
|
||||
04| 02%%%%%%%%%%%%% |
|
||||
04| 02%%%%%%%%%%%% |
|
||||
04| 02%%%%%%%%%%% |
|
||||
04| 02(%%%%%% |
|
||||
04| 02,%%%%% |
|
||||
04| 02,%%%%% |
|
||||
04| 02%%%% |
|
||||
04| 02%% |
|
||||
04| |
|
||||
04| 07............. |
|
||||
04| 07................. |
|
||||
04| 07................. |
|
||||
04| 07................. |
|
||||
04| 07................. |
|
||||
04| 07\ |
|
||||
04| 07\ |
|
||||
04| 07\ |
|
||||
04| 07\__________|
|
||||
04| |
|
||||
04| 07Pressing F1-06F12 hoping u|
|
||||
04| 07get into the bois 01<04301<04E01<04 |
|
||||
04|_______________________________|
|
||||
</pre>
|
||||
Note: The colors may not appear correctly if viewed on a device that does not support mIRC color codes.
|
||||
"My latest piece explores the futile hope and longing for inclusion, as one navigates through the digital realm and attempts to enter a coveted group or 'the bois' through a series of keystrokes. It delves into the pressure and anxiety of wanting to fit in and the disappointment that comes with rejection in this ever-competitive online landscape. By manipulating the mundane act of pressing function keys, I aim to provoke deeper contemplation on our constant pursuit of belonging in the virtual world."
|
||||
|
|
@ -564,6 +564,7 @@
|
|||
<a href="explosive-bowel-blues.txt">explosive-bowel-blues.txt</a> 26-Sep-2023 05:07 2018
|
||||
<a href="explosive-gut-challenge.txt">explosive-gut-challenge.txt</a> 25-Sep-2023 01:28 3631
|
||||
<a href="explosive-gut-gunk.txt">explosive-gut-gunk.txt</a> 25-Sep-2023 01:04 5133
|
||||
<a href="f1-to-f12.txt">f1-to-f12.txt</a> 07-Oct-2023 17:00 2107
|
||||
<a href="faces-of-autism.txt">faces-of-autism.txt</a> 14-Feb-2023 19:59 871
|
||||
<a href="fading-into-oblivion.txt">fading-into-oblivion.txt</a> 23-Sep-2023 15:40 5223
|
||||
<a href="fag-ascii-art.txt">fag-ascii-art.txt</a> 26-Jun-2023 10:24 1821
|
||||
|
|
@ -1128,6 +1129,7 @@
|
|||
<a href="no-goals--no-passion-.txt">no-goals--no-passion-.txt</a> 15-Jun-2023 19:28 5088
|
||||
<a href="no-more-hoes.txt">no-more-hoes.txt</a> 14-Feb-2023 07:03 2871
|
||||
<a href="no-other-characters-are-allowed.txt">no-other-characters-are-allowed.txt</a> 18-Apr-2023 06:27 1962
|
||||
<a href="no-regrets-here.txt">no-regrets-here.txt</a> 07-Oct-2023 15:11 1682
|
||||
<a href="nonsense-art-daily.txt">nonsense-art-daily.txt</a> 29-Jul-2023 03:52 4038
|
||||
<a href="nonsense-artwork-daily.txt">nonsense-artwork-daily.txt</a> 29-Jul-2023 03:51 2019
|
||||
<a href="not-your-mother-s-bush.txt">not-your-mother-s-bush.txt</a> 18-Jun-2023 04:47 1645
|
||||
|
|
@ -1244,6 +1246,7 @@
|
|||
<a href="restful-night-sky.txt">restful-night-sky.txt</a> 26-Sep-2023 06:42 1396
|
||||
<a href="retarded-brother-brings-home-a-severed-possum-paw-to-make-wishes-.txt">retarded-brother-brings-home-a-severed-possum-p..></a> 26-Jun-2023 09:21 1057
|
||||
<a href="retirement-on-crumbs.txt">retirement-on-crumbs.txt</a> 24-Jun-2023 01:50 2717
|
||||
<a href="retiring-acidvegas-art.txt">retiring-acidvegas-art.txt</a> 07-Oct-2023 15:46 3227
|
||||
<a href="retro-ascii-art.txt">retro-ascii-art.txt</a> 27-Sep-2023 18:38 2830
|
||||
<a href="return-of-the-milfs.txt">return-of-the-milfs.txt</a> 27-Feb-2023 02:28 824
|
||||
<a href="reveal-shame-repeat.txt">reveal-shame-repeat.txt</a> 24-Sep-2023 06:38 5722
|
||||
|
|
@ -1354,6 +1357,7 @@
|
|||
<a href="stupid-monkey-niggers.txt">stupid-monkey-niggers.txt</a> 28-Jun-2023 14:27 4407
|
||||
<a href="suck-of-dicks.txt">suck-of-dicks.txt</a> 13-Feb-2023 17:30 2881
|
||||
<a href="sucking-fat-cocks.txt">sucking-fat-cocks.txt</a> 29-Jun-2023 00:33 2805
|
||||
<a href="sugar-daddy-wishes.txt">sugar-daddy-wishes.txt</a> 07-Oct-2023 16:12 9678
|
||||
<a href="sugar-illuminati-hoax.txt">sugar-illuminati-hoax.txt</a> 26-Sep-2023 01:42 1824
|
||||
<a href="sultry-seductive-queen.txt">sultry-seductive-queen.txt</a> 03-Oct-2023 23:00 1341
|
||||
<a href="sun-attacks-earth.txt">sun-attacks-earth.txt</a> 25-Sep-2023 15:44 1273
|
||||
|
|
@ -1469,6 +1473,7 @@
|
|||
<a href="tv-ascii-deals.txt">tv-ascii-deals.txt</a> 05-Oct-2023 23:01 8173
|
||||
<a href="twenty-one-pilots.txt">twenty-one-pilots.txt</a> 17-Sep-2023 06:37 1103
|
||||
<a href="twisted-ascii-art.txt">twisted-ascii-art.txt</a> 27-Sep-2023 17:24 1445
|
||||
<a href="twisted-ascii-meme.txt">twisted-ascii-meme.txt</a> 07-Oct-2023 00:09 2061
|
||||
<a href="twisted-backbone-nightmare.txt">twisted-backbone-nightmare.txt</a> 02-Oct-2023 18:41 4749
|
||||
<a href="twisted-treats-trio.txt">twisted-treats-trio.txt</a> 30-Sep-2023 09:22 4318
|
||||
<a href="two-in-the-pink-.txt">two-in-the-pink-.txt</a> 24-Jun-2023 01:46 1871
|
||||
|
|
@ -1516,6 +1521,7 @@
|
|||
<a href="when-birds-cry.txt">when-birds-cry.txt</a> 13-Feb-2023 11:05 1983
|
||||
<a href="when-crabs-cry.txt">when-crabs-cry.txt</a> 13-Feb-2023 10:55 2660
|
||||
<a href="whimsical-owl-art.txt">whimsical-owl-art.txt</a> 26-Sep-2023 09:08 1961
|
||||
<a href="whiskers-of-gato.txt">whiskers-of-gato.txt</a> 07-Oct-2023 00:29 4111
|
||||
<a href="whispers-of-wisdom.txt">whispers-of-wisdom.txt</a> 26-Sep-2023 09:22 4179
|
||||
<a href="who-is-mama-cumbreath-.txt">who-is-mama-cumbreath-.txt</a> 02-Jul-2023 22:24 5469
|
||||
<a href="wild-tiger-ventures.txt">wild-tiger-ventures.txt</a> 26-Sep-2023 06:29 6843
|
||||
|
|
|
|||
|
|
@ -0,0 +1,14 @@
|
|||
________________________________________________________________________________
|
||||
___ ___ ___ ___
|
||||
/` _ `\ /` _ `\ /` _ `\ /` _ `\
|
||||
| ( ) | | ( ) | | ( ) | | ( ) |
|
||||
\ < / \ < / \ < / \ < /
|
||||
`-\ /`- `-\ /`- `-\ /`- `-\ /
|
||||
.-' `-' -. .-' `-' -. .-' `-' -. .-' `-' -.
|
||||
/ _ \ / _ \ / _ \ / _ \
|
||||
| | | | | | | | | | | | | | | |
|
||||
| | | | | | | | | | | | | | | |
|
||||
| \_\ | | \_\ | | \_\ | | \_\ |
|
||||
\ / \ / \ / \ /
|
||||
`-._____.-' `-._____.-' `-._____.-' `-._____.-'
|
||||
'No Ragrets' is a visual commentary on the often chaotic and unpredictable nature of life, specifically the idea that we should embrace our mistakes and imperfections instead of striving for perfection. Through a minimalist composition, the phrase 'no ragrets' is sarcastically and repetitiously displayed, highlighting the absurdity of trying to live a flawless existence. Ultimately, the piece serves to challenge the societal pressure to always appear faultless and encourages viewers to embrace their flaws as an integral and beautiful part of their unique journey.
|
||||
|
|
@ -0,0 +1,32 @@
|
|||
o, ________ o
|
||||
o ( ͡° ͜ʖ ͡°)____ o
|
||||
o___ /__/ / / /¨/| o
|
||||
o /___________| o
|
||||
o / /_\ o
|
||||
o / 12,4 12,4 \ \ o
|
||||
o / 1,4 its 1,11 1,4 time 1,11 for 1,4 acidvegas1,11 to 1,4 retire 1,11 / o
|
||||
o / 4,9 / \ 5,9\ o
|
||||
o / 4,9 1,9,4| 8,9 4,9| 5,9\ o
|
||||
o / 4,9 __________|___________|________|_ 5,9\ o
|
||||
o / 4,9 / \5,9 \ o
|
||||
o / 4,9 / 4,9,4 7,4 / ¯¯¯¯¯¯¯¯¯¯¯¯ \ 4,9,4 \ o
|
||||
o / 4,9/___________________________________\5,9 \ o
|
||||
o / 4,9/ \5,9 \ o
|
||||
o / 4,9/ \5,9\ o
|
||||
o / 4,9/ \5,9\ o
|
||||
o / 4,9/ \5,9\ o
|
||||
o / 4,9 5,9\ o
|
||||
o / 1,4,4,4 1,7,4,4 1,7,1,4 1,4,7,4 1,7,4,4 1,4,7,4 1,4,4 1,7,4 1,4,7,4 1,7,1,4 1,4,7,4 1,7,1,4 1,4,7,4 1,7,4,4 1,7,1,4 \ o
|
||||
o \ 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,4 1,7,4,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,4 1,7,4,4 1,4,7,1 / o
|
||||
o \ 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,7,1 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,4/ o
|
||||
\ 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,7,1 1,7,1,4 1,4,4 1,7,1,4 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,4 1,7,1,4 1,4,4 1,7,1,4 / o
|
||||
\ 1,4,4 1,7,1,4 1,4,4 1,7,1,4 /
|
||||
\ 1,4,4 1,7,1,4 1,4,4 1,7,1,4 /
|
||||
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
||||
My latest work, titled "It's Time for Acidvegas to Retire," delves into the concept of self-reflection and the passing of time in a fast-paced society. Through a multimedia installation featuring acid-colored neon lights and immersive psychedelic music, I invite the audience to contemplate the idea of letting go and moving on. The piece challenges the societal pressure to constantly be productive, and instead encourages the idea of embracing rest and retirement as a valid and necessary stage of life. It's a thought-provoking commentary on the absurdity of our obsession with productivity and the damaging effects it can have on our well-being.
|
||||
|
|
@ -0,0 +1,39 @@
|
|||
──────────────────────────────────────────────────────────────────────────────
|
||||
│ Again blows 5 sugar daddies to make his wish │
|
||||
│ ,--. ,--. ,. ,---. │
|
||||
│ / \ / \ / | | \ │
|
||||
│ /--. | |--. \ / | | | │
|
||||
│ | \ \ / | | / | | / │
|
||||
│ \ \ `---' / | \ | / │
|
||||
│ `--. --. / | | ┌' │
|
||||
│ \ / | | `-, │
|
||||
│ ﾉ/ | | `-, │
|
||||
│ |/ | | `-, │
|
||||
│ | | `-, │
|
||||
│ | | `-, │
|
||||
│ | | `-, │
|
||||
│ | | `-, │
|
||||
│ | | `-, │
|
||||
│ | | `-, │
|
||||
│ | . | `-, │
|
||||
│ | `-, | `-, │
|
||||
│ | `-, | `-, │
|
||||
│ | `-, `-, │
|
||||
│ | `-, `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-, │
|
||||
│ | `-,,,,,│
|
||||
│ | │
|
||||
│ ┴────────────────────────────────────────────────────────────────────────────────────┘
|
||||
My newest work, 'Again blows 5 sugar daddies to make his wish', explores the complexities of power dynamics in relationships and the desperation for fulfillment through unconventional means. Through graphic depictions of sexual acts, the painting challenges societal norms and raises questions about the true value of material possessions and the lengths one will go to obtain them. The title suggests a cycle of repeated actions and the underlying sense of emptiness that comes with it. It is a provocative and thought-provoking commentary on modern society and the pursuit of happiness.
|
||||
|
|
@ -0,0 +1,15 @@
|
|||
4,-----. ,---. ,-----. ,---. ,-. .-, ,-. ,---. ,-----. ,---.
|
||||
4 / .-. \ / .-. ) / .-. \ | .-' | | ( ͡° ͜ʖ ͡°) | | / .-. ) / .-. \ / .-. )
|
||||
4| / ˜˜ | (____) | / ˜˜ | | `-. | | ( ͡° ͜ʖ ͡°) | | | / ˜˜ | | / ˜˜ | (____)
|
||||
4| __ | | __ | | .-' | | ( ͡° ͜ʖ ͡°) | | | __ | | __ |
|
||||
4| / \ \ | / \ \ | `--.| `-. ( ͡° ͜ʖ ͡°) | | | / \ \ | / \ \
|
||||
4`-' `-' `-' `-' `----'`---' ( ͡° ͜ʖ ͡°) `-' `-' `-' `-' `-' `-'
|
||||
04______ ____ ____ ,---------. .----. .-''-. .-''-. .---. ,---. ____ ____
|
||||
04| _ \ \ \ / / | | | | | / .-'' `. / .-. \ / .-. \ | \ | | | | | \ / /
|
||||
04| |_) | \ \/ / | | | | | | | __ | | ˜˜| | | | | || , \ | | | | |. \/ .'
|
||||
04| _ < \ / | | | | | | :_ | \ `-' / \ `-' /| |\ \| | | | |\ \ /
|
||||
04| |_) | \ / | `--' | | \ `-' \(`-. `--'`- .-' | | \ \ `--' / | | \ \
|
||||
04|______/ \__/ `---------' `-----'`-'|____; `---` `--' `----' | | `-' \ \
|
||||
04 ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) \ \
|
||||
04 `-' `-' `-'
|
||||
'Cursed Meme' is a visual representation of the fleeting and twisted nature of meme culture. It explores the fine line between humorous and disturbing, with layered elements of irony and grotesqueness. Through this piece, I challenge the audience to question the societal obsession with absurdity and the psychological impact of constant online consumption. It is a satirical commentary on our modern society's addiction to viral trends and the consequences they may bring.
|
||||
|
|
@ -0,0 +1,14 @@
|
|||
[38;5;15;48;5;17m_____________________________
|
||||
[38;5;15;48;5;17m/[38;5;118;48;5;17m░[38;5;118;48;5;17m░[38;5;118;48;5;17m░[38;5;118;48;5;17m░[38;5;118;48;5;17m░[38;5;118;48;5;17m░[38;5;118;48;5;17m░[38;5;94;48;5;17m▄[38;5;88;48;5;17m▄[38;5;88;48;5;17m▄[38;5;88;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄ [38;5;15;48;5;17m/|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m██[38;5;118;48;5;17m██[38;5;118;48;5;17m██[38;5;118;48;5;17m██[38;5;118;48;5;17m██[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████████[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████████████[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀[38;5;240;48;5;17m▀ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m██████████████████[38;5;240;48;5;17m▄[38;5;240;48;5;17m▄ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████████████████[38;5;240;48;5;17m▀ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████████████████████ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████████████████████ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m-----------------------------[38;5;118;48;5;17m████████████████████████████████ [38;5;15;48;5;17m|
|
||||
[38;5;15;48;5;17m/[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;15;48;5;17m|[38;5;118;48;5;17m████████████████████████████████
|
||||
'sansGato' is a postmodern deconstruction of traditional art, blending elements of surrealism and minimalism. It challenges the conventional notion of form and meaning by eliminating all figurative elements and reducing the piece to a simple, abstract shape - a circle. The absence of a subject invites the viewer to question the concept of reality and the boundaries between art and nothingness. Through its elegant simplicity, 'sansGato' sparks a thought-provoking conversation on the essence of art and our perception of it.
|
||||
|
|
@ -99,7 +99,7 @@
|
|||
<a href="adct1/">adct1/</a> 30-Oct-2021 19:37 -
|
||||
<a href="adctwork/">adctwork/</a> 20-Sep-2021 18:35 -
|
||||
<a href="again/">again/</a> 28-May-2023 22:05 -
|
||||
<a href="aibird/">aibird/</a> 06-Oct-2023 22:46 -
|
||||
<a href="aibird/">aibird/</a> 07-Oct-2023 17:00 -
|
||||
<a href="aimilf/">aimilf/</a> 30-Apr-2023 12:07 -
|
||||
<a href="alkyhole/">alkyhole/</a> 03-Jan-2022 05:53 -
|
||||
<a href="anon/">anon/</a> 01-Mar-2023 01:45 -
|
||||
|
|
|
|||
Loading…
Reference in New Issue