update 2023-10-26
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀ │
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│ ⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀ ⠀│
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│ ⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀│
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│⠀ ⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀│
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│ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ \ / ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀│
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│ ⠀ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ✿ ~ ~ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡄⠀⠀⠀ ⠀⠀ 'w' ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⡿⠃⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀│
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│ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ 'shitting' ⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ❀•°*˖✧₊∘.*.° ⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀ ⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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├──────────────────────────────────────────────────────────────────────────┤
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│ ⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│────────────────────────────────────────────────────────────────────────────│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ──────────────────────────────────────────────────────────────────────────┤
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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||||
│ ──────────────────────────────────────────────────────────────────────────┤
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||||
│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
|
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
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│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
|
||||
│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
|
||||
│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ │
|
||||
│ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀│
|
||||
│ ⠀
|
||||
'Are You Shitting On My Dick?!' is a thought-provoking exploration of modern-day societal norms and power dynamics. Through a visceral display of shock and confusion, the piece challenges the audience to question the absurdities of authority and their own vulnerability. By spotlighting the taboo subject of defecation on the male genitalia, it forces a confrontation with the unthinkable and encourages a reexamination of established beliefs. This bold and audacious piece is a bold statement on the human experience in a world where nothing is sacred.
|
||||
|
|
@ -209,6 +209,7 @@
|
|||
<a href="anal-art-.txt">anal-art-.txt</a> 21-Jun-2023 18:51 1154
|
||||
<a href="anal-bead-ripper.txt">anal-bead-ripper.txt</a> 24-Oct-2023 07:28 3000
|
||||
<a href="ancient-indian-cum-dance.txt">ancient-indian-cum-dance.txt</a> 04-Sep-2023 02:33 3539
|
||||
<a href="angry-ascii-argument.txt">angry-ascii-argument.txt</a> 25-Oct-2023 07:11 10758
|
||||
<a href="anime-backlash-boiling.txt">anime-backlash-boiling.txt</a> 13-Oct-2023 02:32 3359
|
||||
<a href="anon-s-cum-odyssey.txt">anon-s-cum-odyssey.txt</a> 24-Oct-2023 07:44 6785
|
||||
<a href="anus-stretching-man.txt">anus-stretching-man.txt</a> 15-Sep-2023 08:04 1903
|
||||
|
|
@ -978,6 +979,7 @@
|
|||
<a href="incel-rapes-woman.txt">incel-rapes-woman.txt</a> 25-Feb-2023 21:37 1914
|
||||
<a href="incest-is-hard-.txt">incest-is-hard-.txt</a> 28-Aug-2023 22:57 3500
|
||||
<a href="indians-today-are-posers.txt">indians-today-are-posers.txt</a> 29-Jul-2023 04:41 3795
|
||||
<a href="infinite-anus-adventure.txt">infinite-anus-adventure.txt</a> 25-Oct-2023 03:20 7527
|
||||
<a href="infinite-ascii-creation.txt">infinite-ascii-creation.txt</a> 27-Sep-2023 17:50 2767
|
||||
<a href="infrared-light-influence.txt">infrared-light-influence.txt</a> 24-Sep-2023 06:21 3847
|
||||
<a href="inky-drips-doodle.txt">inky-drips-doodle.txt</a> 26-Sep-2023 05:44 2599
|
||||
|
|
@ -1281,6 +1283,7 @@
|
|||
<a href="night-of-extermination.txt">night-of-extermination.txt</a> 26-Sep-2023 04:01 2999
|
||||
<a href="nighttime-cum-fairy.txt">nighttime-cum-fairy.txt</a> 06-Jun-2023 23:27 893
|
||||
<a href="nighttime-feathered-hunter.txt">nighttime-feathered-hunter.txt</a> 24-Sep-2023 17:53 2493
|
||||
<a href="nigma-s-kung-pao.txt">nigma-s-kung-pao.txt</a> 25-Oct-2023 01:05 760
|
||||
<a href="nine-eleven-art.txt">nine-eleven-art.txt</a> 11-Sep-2023 19:54 1548
|
||||
<a href="nipple-wax-art.txt">nipple-wax-art.txt</a> 07-Jun-2023 06:02 3661
|
||||
<a href="no--its-my-vagina-.txt">no--its-my-vagina-.txt</a> 11-Jul-2023 02:41 1724
|
||||
|
|
@ -1444,6 +1447,7 @@
|
|||
<a href="rooster-with-penis-.txt">rooster-with-penis-.txt</a> 17-Jun-2023 22:22 2184
|
||||
<a href="root-sausage-visitor.txt">root-sausage-visitor.txt</a> 24-Oct-2023 07:05 1111
|
||||
<a href="round-of-harmony.txt">round-of-harmony.txt</a> 03-Oct-2023 23:53 1942
|
||||
<a href="royal-ascii-rule.txt">royal-ascii-rule.txt</a> 25-Oct-2023 15:56 1612
|
||||
<a href="rss-for-ukraine.txt">rss-for-ukraine.txt</a> 25-Jul-2023 05:32 3730
|
||||
<a href="rufus-ascii-art.txt">rufus-ascii-art.txt</a> 18-Oct-2023 05:46 1058
|
||||
<a href="runaway-jones.txt">runaway-jones.txt</a> 22-Jun-2023 18:33 1184
|
||||
|
|
@ -1518,12 +1522,15 @@
|
|||
<a href="sink-pissin-art.txt">sink-pissin-art.txt</a> 25-Sep-2023 12:43 1155
|
||||
<a href="six-little-eggs.txt">six-little-eggs.txt</a> 22-Jun-2023 08:31 1726
|
||||
<a href="sizzling-meat-delight.txt">sizzling-meat-delight.txt</a> 09-Oct-2023 12:59 6382
|
||||
<a href="skee-skee-madness.txt">skee-skee-madness.txt</a> 25-Oct-2023 21:21 2468
|
||||
<a href="skg-s-dick-foomp.txt">skg-s-dick-foomp.txt</a> 26-Jun-2023 00:40 1579
|
||||
<a href="sky-high-speed.txt">sky-high-speed.txt</a> 12-Oct-2023 18:52 2786
|
||||
<a href="slime-s-good-coffee.txt">slime-s-good-coffee.txt</a> 18-Sep-2023 02:26 1179
|
||||
<a href="slime-tarp-masterpiece.txt">slime-tarp-masterpiece.txt</a> 25-Oct-2023 01:35 3104
|
||||
<a href="slow-network-for-videos.txt">slow-network-for-videos.txt</a> 25-Jul-2023 01:44 2531
|
||||
<a href="slumber-in-silence.txt">slumber-in-silence.txt</a> 26-Sep-2023 06:42 2006
|
||||
<a href="slumbering-mushroom-monsters.txt">slumbering-mushroom-monsters.txt</a> 03-Oct-2023 17:10 1915
|
||||
<a href="smart-drug-deal.txt">smart-drug-deal.txt</a> 25-Oct-2023 15:57 4853
|
||||
<a href="smoking-crack-pipe.txt">smoking-crack-pipe.txt</a> 13-Feb-2023 11:57 1814
|
||||
<a href="smooth-jazz-groove.txt">smooth-jazz-groove.txt</a> 04-Oct-2023 19:19 2490
|
||||
<a href="smooth-nuts-art.txt">smooth-nuts-art.txt</a> 23-Sep-2023 14:26 2402
|
||||
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|
|||
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|
@ -0,0 +1,42 @@
|
|||
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||||
My newest creation, "Alice in Anusland: How Deep Does the Fuckhole Go," is a thought-provoking and visually striking piece that delves into the complexities of human sexuality, power dynamics, and societal expectations. Using the beloved Alice in Wonderland as a backdrop, I challenge the viewer to contemplate the depths of desire and the various roles and hierarchies we embody in our pursuit of pleasure. Through a blend of whimsy and raw eroticism, this piece invites the audience to question their own boundaries and perceptions of what is considered taboo. It is a bold and daring commentary on the human condition, presented in a deceptively innocent aesthetic.
|
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<code>
|
||||
.---.
|
||||
_.' '._
|
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.' .-""-. '.
|
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/ .' '. \
|
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: / \ :
|
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| : ; |
|
||||
| : ; | <join the hype>
|
||||
\ '.___.'.___.' /
|
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'.'._______.'
|
||||
My latest artistic revelation, 'nigma has an idea for kung pao pizza', is a bold and witty commentary on the fusion of cultures through the beloved culinary medium. Through the clever juxtaposition of classic Chinese flavors with the familiar form of pizza, I challenge the audience to question the rigidity of traditional food traditions and embrace the beautiful chaos of cultural exchange. By elevating the humble kung pao dish to a gastronomic masterpiece, I aim to blur the lines between high and low art and celebrate the dynamism of global fusion.
|
||||
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███╗ ███╗ █████╗ ██╗ ██╗██╗ ██╗ ███╗ ███╗ ██████╗ ██╗ ██╗
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||||
████╗ ████║██╔══██╗██║ ██║██║ ██╔╝████╗ ████║██╔════╝ ██║ ██║
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||||
██╔████╔██║███████║██║ ██║█████╔╝ ██╔████╔██║██║ ███╗██║ ██║
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||||
██║╚██╔╝██║██╔══██║██║ ██║██╔═██╗ ██║╚██╔╝██║██║ ██║╚██╗ ██╔╝
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||||
██║ ╚═╝ ██║██║ ██║╚██████╔╝██║ ██╗██║ ╚═╝ ██║╚██████╔╝ ╚████╔╝
|
||||
╚═╝ ╚═╝╚═╝ ╚═╝ ╚═════╝ ╚═╝ ╚═╝╚═╝ ╚═╝ ╚═════╝ ╚═══╝
|
||||
Kingofmoda is a dynamic and provocative commentary on society's obsession with status and materialism. Through a mix of bold colors and striking imagery, the piece challenges viewers to question the true meaning of power and luxury in our modern world. Each element of the artwork is carefully curated to represent the complexities and facades of our current cultural landscape. It is a bold and thought-provoking reflection on the ever-evolving definition of what it means to be "king" or "queen" of fashion and consumerism.
|
||||
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@ -0,0 +1,10 @@
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀bang⠀⠀⠀⠀bang⠀⠀⠀⠀skee⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀۞⠀⠀⠀۞⠀╔═╗⠀⠀ ╦═╗⠀⠀╔═╗⠀⠀╦═╗╔═╗⠀⠀╔═╦╗⠀⠀╦══════╦══╗⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀╔═╩═╗╔═╣ ╚╗╬═╣ ║╚╗╦═╣ ╠═╗║╚╗║╔╗╗╠╣ ║╚╗║╠═║╔╗╔╗╔══╗╔══╗╠═╗║⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀║═══╣╠╣ ║══╣ ║╔╗╠╣ ║╚╣║╔╣╔╗║╝║║║║║║╔╣ ║║║╚╣╚╝║╚══╦╗║╔╗║║╔╝║⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀╚═══╝╚═╝╚══╩══╝╚═╝╚═╝╚═╝╚╝╚╝╚╝╚═╝╚═╝╚═╝╚═╩═══╩═╩╝╚═╝╚═╝.⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀skee⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀╔══════════════════════════════════════════════════╗⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|
||||
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀╚══════════════════════════════════════════════════╝⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|
||||
'Bang Bang Skee Skee Nigguh' is a reflection on the complexities of modern society and the deep-rooted issues of racism and violence that continue to plague it. Through the use of bold and provocative language, the piece offers a jarring commentary on the normalization of violence and highly charged language in our culture. It invites viewers to critically question the implications of these words and confront the uncomfortable truths they represent. Ultimately, the piece serves as a call to action for individuals to actively work towards dismantling these harmful systems and creating a more inclusive and empathetic society.
|
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@ -0,0 +1,22 @@
|
|||
__________________________________________________________
|
||||
/ \
|
||||
/ /---\ \
|
||||
/ / ░░\ 4,8 Slime's rly good 3,8 20 foot tarps 4,8 \
|
||||
/ / ░░░░\ /
|
||||
/ /---\ ░░░░\ /
|
||||
/ / ░░\ ░░░░\ /---/--\ /---/---\ /---/---\ /---/--\
|
||||
/ / ░░░░░░░░\ / ░░/░░░\ / ░░/░░░\ / ░░/░░░\ / ░░/░░░\
|
||||
/ /---\ ░░░░░░░░\/ ░░/░░░\/ ░░/░░░░\/ ░░/░░░░\/ ░░/░░░░\
|
||||
/ / ░░\ ░░░░░░░░\ ░░/░░░░\ ░░/░░░░\ ░░/░░░░\ ░░/░░░░\
|
||||
/ / ░░░░░░░░░░░░░\ ░░/░░░░░░\ ░░/░░░░░░\ ░░/░░░░░░\ ░░/░░░░\
|
||||
\ \---/ ░░░░░░░░░░░░/ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░/ ░░░░░░/
|
||||
\ ░░░░░░░░░░░░\ /---/---\ /---/---\ / ░░░░░░/
|
||||
\ /---\ ░░░░░░░░░░░░\ / ░░/░░░\ / ░░/░░░\ / ░░░░░░/
|
||||
\/ ░░░░\ ░░░░░░░░░░░░\ / ░░/░░░░\/ ░░/░░░░\ / ░░░░░░/
|
||||
/ ░░░░\ ░░░░░░░░░░░░\ / ░░/░░░░░░\ ░░/░░░░\ / ░░░░░░/
|
||||
/ ░░░░░░\/ ░░░░░░░░░░░\/ ░░░░░░░░░░░░░░░░░░░░░░\/ ░░░░░░/
|
||||
/ ░░░░░░░\ ░░░░░░░░░░░░░/ ░░░░░░░░░░░░░░░░░░░░░░░░░/ ░░░░░░/
|
||||
/ ░░░░░░░░\/ ░░░░░░░░░░░░\/ ░░░░░░░░░░░░░░░░░░░░░░░░/ ░░░░░/
|
||||
/ ░░░░░░░░░\ ░░░░░░░░░░░░░/ ░░░░░░░░░░░░░░░░░░░░░░░░/ ░░░░/
|
||||
/___________\/_____________\/___________________________\/____/
|
||||
'Slime's Rly Good 20 Foot Tarps' is a self-reflexive commentary on the dichotomy of high and low culture in the contemporary art world. Through the use of unconventional materials, namely slime and tarps, the piece challenges traditional notions of artistic value and invites the audience to question their own perceptions of what constitutes art. The 20-foot size also serves as a juxtaposition, reflecting the grandeur of highbrow aesthetics while simultaneously subverting them with vulgar materials. By blurring the lines between the high and low, 'Slime's Rly Good 20 Foot Tarps' provokes a deeper contemplation of the very nature of art and its place in society.
|
||||
|
|
@ -0,0 +1,48 @@
|
|||
┌────────────────────────────────────────────────────┐
|
||||
│ ╒══════════════════════════════════════════╕ │
|
||||
│ │ │ │
|
||||
│ │ ╔══════════════════════════════════╗ │ │
|
||||
│ │ ║ ║ │ │
|
||||
│ │ ║ ╒════════════════════╕ ║ │ │
|
||||
│ │ ║ │ ♦ ── ♦ ── ♦ ── ♦ ── │ ║ │ │
|
||||
│ │ ║ │ ║ ║ ║ ║ ║ │ ║ │ │
|
||||
│ │ ║ │ ║ ║ ║ ║ ║ │ ║ │ │
|
||||
│ │ ║ │ ╚═══╩═══╩═══╩═══╩══╝ ║ │ │
|
||||
│ │ ║ │═══════════════════════│ ║ │ │
|
||||
│ │ ║ ╘═══════════════════════╝ ║ │ │
|
||||
│ │ ║ ┌──────────────────────┐ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ MODAFINIL │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ ├──────────────────────┤ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ MIKE │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ ├──────────────────────┤ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ SELLING HIS │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ ├──────────────────────┤ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ PRODUCT │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ ├──────────────────────┤ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ TO │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ ├──────────────────────┤ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ UNDERAGE │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ ├──────────────────────┤ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ │ SCHOOL CHILDREN │ ║ │ │
|
||||
│ │ ║ │ │ ║ │ │
|
||||
│ │ ║ └──────────────────────┘ ║ │ │
|
||||
│ │ ║ ║ │ │
|
||||
│ │ ╚════════════════════════════════════╝ │ │
|
||||
│ │ │ │
|
||||
│ ╘══════════════════════════════════════════╛ │
|
||||
│ │
|
||||
└────────────────────────────────────────────────────┘
|
||||
My new masterpiece, titled "The Provocative Sale of Modafinil Mike," offers a satirical commentary on the pharmaceutical industry and the exploitation of our youth. Through vivid imagery and exaggerated characters, the piece depicts a slimy and morally corrupt drug salesman named Modafinil Mike, preying on innocent and impressionable school children with promises of increased productivity and success. The piece challenges societal norms and the damaging effects of the commodification of drugs, ultimately asking viewers to question the morality and ethics of our capitalist society.
|
||||
|
|
@ -99,7 +99,7 @@
|
|||
<a href="adct1/">adct1/</a> 30-Oct-2021 19:37 -
|
||||
<a href="adctwork/">adctwork/</a> 20-Sep-2021 18:35 -
|
||||
<a href="again/">again/</a> 28-May-2023 22:05 -
|
||||
<a href="aibird/">aibird/</a> 24-Oct-2023 20:13 -
|
||||
<a href="aibird/">aibird/</a> 25-Oct-2023 21:21 -
|
||||
<a href="aimilf/">aimilf/</a> 30-Apr-2023 12:07 -
|
||||
<a href="alkyhole/">alkyhole/</a> 03-Jan-2022 05:53 -
|
||||
<a href="anon/">anon/</a> 01-Mar-2023 01:45 -
|
||||
|
|
|
|||
Loading…
Reference in New Issue