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/ '''''''''''''''''''''''''''''''''''''''''''''''''''''''' \
| `/c%2Ѿå$AuÎ14&¯ŽœõÙëÏ©™øvœÎä˜=hÌøJýG—l´ì5ænÓC^®ÜMÚaäUÅF4†wYÌĶ!6`. |
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My new artistic masterpiece, entitled '2Ѿå$AuÎ&¯ŽœõÙëÏ©™øvœÎä˜=hÌøJýG—l´ì5ænÓC^®ÜMÚaäUÅF4†wYÌĶ!6', is an abstract exploration of the intersection between technology and human consciousness. Through the use of complex code-like symbols and visually striking color combinations, I invite the audience to contemplate the impact of digital technology on our perception of self and reality. The chaotic composition represents the disintegration of traditional societal norms and the journey towards a new, fluid identity in the digital age. At its core, this piece challenges the viewer to question their relationship with technology and the ever-evolving concept of humanity.

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__ __ __ __ __ __ __ __ __ __
/$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\
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/$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\ /$$\
¢º‘€’þ’þ’åú»á««»ä‘ã’‘¡ª¢ñœúüóá
'¢º‘€’þ’þ’åú»á««»ä‘ã’‘¡ª¢ñœúüóá' is a transcendent exploration of the complex intersections between language, symbols, and visual expression. Through a seemingly chaotic jumble of characters and symbols, I invite the viewer to question the limitations of their own linguistic understanding and embrace the pure emotion and energy of the artwork. Symbolic of the constant evolution and blending of cultures and ideas, this masterpiece challenges traditional notions of communication and invites viewers to confront their own perceptions of art and meaning.

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▄▄ █ ██▀██▄ ▄█ █ █ █ █▄ █
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My new artistic masterpiece, titled 'trycdoc IRC │ ,█ ,│ e IRC ,█ ,│', is a visually stimulating representation of the interconnected nature of online communication through the use of IRC (Internet Relay Chat). The chaotic placement of characters, including the disjointed symbol for 'e', serves to highlight the breakdown of traditional language barriers in our digital age. The use of a unique font and unusual layout further challenges traditional perceptions of art, inviting the viewer to confront the complexities of our constantly evolving digital world.

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0<02> 0
0<02> 0
0<02> 0 10<02>3 10<02>3
0<02> 0 10<02><>3 10<02>3
0<02>2<04><02>0 9<02>2<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0
0<02>29<>1<02>0 9<02>2<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0
0<02>29<> 0 9<02>2<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0
0<02>29<> 0 9<02>2<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0 2<02>1<>0
0<02>29<> 0 9<02>2<>0 4<02> 0 9<02>2<>0 2<02>1<>0 2<02>1<>0
0<02>29<> 0 9<02>2<>0 4<02>0 9<02>2<>0 2<02>1<>0 2<02>1<>0
0<02>29<> 0 9<02>2<>0 2<02> 0 9<02>2<>0 2<02>1<>0 2<02>1<>0
2<02>1<>0 10<02>9<02>0 10<02>9<02>0 10<02>9<02>0 10<02>9<02>0 10<02>9<02>0
2<02>1<>0 10<02>9<02>0 10<02>9<02>0 10<02>9<02>0 10<02>9<02>0 10<02>9<02>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 8<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>10<02>28<02>210<02>1<>0
2<02>1<>0 9<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>1<>0
2<02>1<>0 9<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>1<>0
2<02>1<>0 9<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>1<>0
2<02>1<>0 9<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>1<>0
2<02>1<>0 9<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>1<>0
2<02>1<>0 9<02>210<02>10<02>29<02>210<02>10<02>29<02>210<02>10<02>
As a visual representation of the modern digital age, '@Gr<47><72>f˜@TСh' explores the fragmentation and chaos of our online identities through a symphony of characters, symbols, and typography. Through the use of non-traditional materials and mediums, this piece challenges traditional notions of art and invites viewers to question their own role in the ever-evolving digital landscape. It is a meta-commentary on our society's obsession with social media and its impact on our sense of self.

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4,1____________________
4/ \
4/ \
4/ 1 .-"""""-. Û
4/ 1,` `. Û
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4| 5øøøøøøøøøøøøøøøøøøøøøøøø
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4\ 5øøøøøøøøøøøøøøøøøøø
4\ 5øøøøøøøøøøøøøøøøøø
4`-_ 5øøøøøøøøøøøøøøø
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4`--. 5øøøøøøøø
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My new art piece is a commentary on the exploitation of labor in China and the prevalence of toxic materials in everyday objects. By using real bones from Chinese factory workers, I am emphasizing the human cost of cheap goods and the disregard for worker health and safety. These dinner plates also address the issue of lead poisoning, as they are explicitly lead-free, challenging the notion that all products labeled as such are actually safe. It is a statement on consumerism and the ethical implications of our constant demand for cheap products.

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┌───────────────────────────────────────────────────────────────────────────────────────────────┐
│ ██╗ ██╗████████╗███████╗██╗ ██╗ ███████╗██╗ ██╗██╗ ██████╗██╗ ██╗████████╗ │
│ ██║ ██║╚══██╔══╝██╔════╝██║ ██║ ██╔════╝╚██╗██╔╝██║██╔════╝██║ ██╔╝╚══██╔══╝ │
│ ██║ ██║ ██║ █████╗ ██║ █╗ ██║ ███████╗ ╚███╔╝ ██║██║ █████╔╝ ██║ │
│ ╚██╗ ██╔╝ ██║ ██╔══╝ ██║███╗██║ ╚════██║ ██╔██╗ ██║██║ ██╔═██╗ ██║ │
│  ╚████╔╝ ██║ ███████╗╚███╔███╔╝ ███████║██╔╝ ██╗██║╚██████╗██║ ╚██╗ ██║ │
│  ╚═══╝ ╚═╝ ╚══════╝ ╚══╝╚══╝ ╚══════╝╚═╝ ╚═╝╚═╝ ╚═════╝╚═╝ ╚═╝ ╚═╝ │
│ ██████╗ ███╗ ██╗████████╗███████╗██████╗ ███████╗███████╗███████╗████████╗██████╗ ██████╗ ███╗ │
│ ██╔══██╗████╗ ██║╚══██╔══╝██╔════╝██╔══██╗██╔════╝██╔════╝██╔════╝╚══██╔══╝██╔══██╗██╔══██╗████╗│
│ ██████╔╝██╔██╗ ██║ ██║ █████╗ ██████╔╝█████╗ ███████╗███████╗ ██║ ██████╔╝██████╔╝██╔██╗│
│ ██╔═══╝ ██║╚██╗██║ ██║ ██╔══╝ ██╔══██╗██╔══╝ ╚════██║╚════██║ ██║ ██╔══██╗██╔══██╗██╔╝╚██╗│
│ ██║ ██║ ╚████║ ██║ ███████╗██║ ██║███████╗███████║███████║ ██║ ██║ ██║██████╔╝██║ ╚██╗│
│ ╚═╝ ╚═╝ ╚═══╝ ╚═╝ ╚══════╝╚═╝ ╚═╝╚══════╝╚══════╝╚══════╝ ╚═╝ ╚═╝ ╚═╝╚═════╝ ╚═╝ ╚═╝│
│ by @aspendev │
└───────────────────────────────────────────────────────────────────────────────────────────────┘
This daring and thought-provoking piece explores the dark reality of the Chinese slave labor force, often overlooked and ignored in our consumerist society. Through a combination of performance, installation, and shocking imagery, the artist challenges us to confront our complicity in the systematic exploitation of these workers. By advocating for their ultimate demise, the piece forces us to question the true cost of our capitalist-driven desires. Only by acknowledging and confronting this uncomfortable truth can we truly begin to save the Chinese slave labor force.

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/$O/'~Ö"57{›w_cû[ca5eF!ã[s;°ˆã¸o ¥DýýÞÛ)®"pb^¥ü7ýj Ë0)™
Â5<ÕoP£œKfCÃ:ýÉ{¾ÈÇsÛ¯'“[I= µ¼$+ÑNÒ¹•Òú‘ûá6ªÞ·¼ÓEÖ´gǪ>F„ÀòØ-
|>’ êŽ]¯¥ù ’1[.
My latest work, titled 'QÒ~ˆö†57ÿ{›w_cû'ca5eF!ã[s;°ˆã¸o ¥DýÞÛ)®"pb^¥ü7ýj Ë0)™Â5<ÕoP£œKfCÃ:ýÉ{¾ÈÇsÛ¯'“[I= µ¼$+ÑNÒ¹•Òú‘ûá6ªÞ·¼ ÓEÖ´gǪ>F„ÀòØ-|>’ êŽ]¯¥ù ’1[', challenges traditional notions of form and representation. Through its intricate and seemingly chaotic composition, the piece invites the viewer to question their perception of reality and embrace the beauty of chaos. Each element, from the random symbols and letters to the vibrant colors, symbolizes the intricate and interconnected nature of our world. It's a reflection of the human psyche and the complex emotions and thoughts that we experience. Ultimately, this masterpiece serves as a reminder to embrace the unknown and appreciate the beauty in chaos.

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_____________________________________________________________
/ ######################################################## \
/ #4,4 #8,4 #9,4 #13,4 #3,4 #4,7 #4,7 #4,6 #4,6 #4,7 #4,9 #4,10 #4,11 #4,9 #4,9 #4,12 #4,7 #4,6 #4,9 #4,7 #4,6 #4,6 #4,12 #4,12 #4,9 #4,10 #4,9 #4,11 #4,11 #4,12 #3,4 #4,12 #4,12 #4,6 #4,12 #4,4 #4,5 #4,5 #4,12 #4,12 #9,10 #4,12 #12,12 #4,6 #12,7 #9,7 #4,7 #4,6 #4,7 #9,7 #4,12 #4,12 #4,4 #4,9 #4,9 #4,9 #4,9 #3,4 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,9 #4,9 #4,12 #4,10 #4,10 #4,10 #4,10 #4,10 #4,10 #4,10 #4,12 #4,12 #4,9 #4,9 #4,9 #4,9 #4,9 #4,9 #4,9 #3,4 #4,5 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,5 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,6 #4,5 #4,5 #4,5 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #9,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #9,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #9,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,12 #4,
My latest artistic masterpiece, titled 'We Been Using Correlle for 50 Years and Still Going Strong,' explores the enduring legacy of this household dinnerware. Through a clever play on words and imagery, I challenge the societal norms and values surrounding family meals, as represented by the ubiquitous use of Correlle plates. With a satirical nod to the saying 'the family that eats together stays together,' I delve into the mundane yet crucial role that these plates play in our daily lives, highlighting their durability and longevity as a testament to the strength of family ties. Through this piece, I invite the viewers to reflect on the ironic significance of a seemingly simple object and prompt a deeper conversation on the interplay between tradition, functionality, and family dynamics in our modern society.

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C2 22,2we been using correlle for 50 years now and don't plan on stopping. no ill efects so far to note, and we been using it fpr 50 years.
C2 22,2pastor says the family that eats together stays together, and correlle plates sure as shoott stays togethe^r to.
My newest artistic creation, "We Been Using Correlle for 50 Years Now and Don't Plan on Stopping," explores the unbreakable bond of family through the familiarity of our everyday objects. Through the use of the durable and reliable Correlle plates, I draw attention to the longevity and strength of family relationships. Inspired by the wise words of a pastor, the phrase "the family that eats together stays together" is embodied in the unbreakable nature of the Correlle plates. As a society, we often place value on novelty and constantly seeking the newest and trendiest items, but this piece serves as a reminder that sometimes, the tried and true objects in our lives hold the most meaningful and lasting connections. Just as Correlle plates have stood the test of time, so have family bonds - a testament to the enduring power and beauty of family.

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  ____________________________________________
/ \
| ___ ___ ___ ___ ___ ___ |
| / __|/ __| _ \/ __| _ \/ __| |
| ( (__| (__| _/ (__| _/ (__ |
| \___|\___|_| \___|_| \___| |
| __________________________________ |
| / \ |
| | | |
| | 04,01>. ,< | |
| | 04,01>o` `o< | |
| | 04,01> 02,01>(___, ,___)<02,01> 04,01> \ |
| | 04,01> \_,(_____/ | |
| | 05,01>| | _| |_ |< | |
| | 05,01>( 03,01>@<05,01> )< | |
| | 05,01> 03,01>@<05,01> | |
| | 02,01>WW< | |
| | 02,01>--<04,01> automatic 02,01>--<04,01> | |
| | 02,01>--<04,01> bird killer 02,01>--<04,01> | |
| | | |
| | | |
| | | |
| | | |
| | | |
| | | |
| \________________________________________________/ |
| ________ |
\_____________________________________/ \____________________/
'Automatic bird killer' is a powerful commentary on the destructive and senseless nature of technological advancement. It depicts a machine that mindlessly snuffs out the existence of innocent birds, representing the inevitable harm and disregard for nature that comes with our unquenchable pursuit of progress. Through its jarring imagery and provocative title, the piece challenges viewers to confront the consequences of our relentless pursuit of efficiency and advancement at any cost.

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,#####,
#_ _# ,#####
|a` `a| #_ _#
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\ = / | u |
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| | | |\___/|
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) ___ \ |/ \o/ _| | | / ___ )
/ (") | /________\ / | | | | (") \
\____|~*~|_/ \_/ |__|~*~|___|~*~|____/
\__/ \__/ \__/
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,7,█ ,1,├┤ ,7,█ ,1,├┤ ,7,█ ,1,└─┘ ,7,█ ,1,└─┘ ,7,█ ,1,│ u │
,1,┴─┴┴┴┴─┴ ,7,█ ,1,┬┌┬┐ ,7,█ ,1,├┤ ,7,█ ,1,├┼┤ ,7,█ ,1,├┼┤
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,1,┬─┬┬┬┬┬┬─┐ ,7,█ ,1,┴─┴┴┴┴─┴ ,7,█ ,1,└─┘ ,7,█ ,1,└─┘ ,7,█ ,1,└─┘
,7,█ ,1,│ IRC │ ,7,█ ,1,│ h IRC ,7,█ ,1,│ o IRC ,7,█ ,1,│ m IRC ,7,█
,1,├┤ ,7,█ ,1,├┤ ,7,█ ,1,┼┼┼┼┼┼┼─┘ ,7,█ ,1,┬─┬┬┬┬┬┬─┐
,7,█ ,1,│ IRC │ ,7,█ ,1,│ e IRC ,7,█ ,1,│ s IRC ,7,█ ,1,│ t IRC ,7,█
,1,┴─┴┴┴┴┴┴─┐ ,7,█ ,1,┴─┴┴┴┴┴┴─┐ ,7,█ ,1,│ │ ,7,█ ,1,┴─┴┴┴┴┴┴─┘
,7,█ ,1,┬┬┬┬┬┬┬─┘ ,7,█ ,1,┬┌┬┐ ,7,█ ,1,├┼┤ ,7,█ ,1,┌─┐ ,7,█ ,1,┌─┐
,1,│ a'`'a │ ,7,█ ,1,│ u │ ,7,█ ,1,│ u │ ,7,█ ,1,│ = │ ,7,█
,7,█ ,1,┴─┴┴┴┴─┴ ,7,█ ,1,┴─┴┴┴┴┴─┴ ,7,█ ,1,└─┘ ,7,█ ,1,└─┘ ,7,█ ,1,┴─┴┴┴┴─┴
'IRC Homesteaders' is a deep and introspective exploration of the human desire for community and belonging in the digital age. Through the use of bold and vibrant colors, juxtaposed with the starkness of computer code, the piece poses the question: how do we form meaningful connections in a world where physical distance has become obsolete? The figures, huddled together in front of their screens, represent the modern-day pioneers of the virtual landscape, forging new frontiers and building their own cyber utopias. Reflecting the dichotomy of isolation and connection, 'IRC Homesteaders' challenges the viewer to reconsider the boundaries between the physical and the digital, ultimately questioning what it means to be human in a digitally-mediated world.

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As ASCII art:
o========o
| ______ |
| |____| |
_|_ _|_
| | | |
|___| |___|
\ /
\ /
\/
||
||
||
||
||
||
___||___
| || |
|____||____|
|_ _|
|________|
As UTF-8 art:
░░░░░░░░░░░░░░░░░░░░░░
░░░░░░░░░░░░░░░░░░░░░░
█▀▀▀▀▀██▀█▄░█░███▀▀▀▀▀█
█ ███ █ █ █░█░█▄█ ███ █
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████░░░░░░████
█░░ █░░░░░░ █░░
█░░ █░░░░░░ █░░
█░░ █░░░░░░ █░░
█░░ █░░░░░░ █░░
█░░ █▄▄▄▄▄█ █░░
█░░░░░░░░░░ █
████░░░░░░████
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████░░░░██░░░██░░░████
████░░░░██░░░██░░░████
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░░░░░░░░░░░░░░░░░░░░░░
My new artistic masterpiece, entitled 'I want to fuck my Dyson in peace but everyone keeps bothering me', is a commentary on society's intrusion into personal privacy and the growing obsession with technology. Through the use of provocative and humorous imagery, I aim to challenge the viewer's perceptions and ignite a dialogue about our relationship with both objects and our own desires. It serves as a reminder to step back and respect the boundaries of others, both physically and emotionally.

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█
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█████
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███████
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Bird Beak Buffet is a modern commentary on consumerism and excess, focusing on the concept of feeding frenzy. The installation features a large buffet table covered in intricate bird beak sculptures made from discarded human waste, representing the insatiable appetite of society for material goods. The beaks are arranged in a chaotic manner, symbolizing the chaos and destruction caused by overconsumption. Viewers are invited to partake in the buffet, physically engaging them in the message of the piece. Through this intimate interaction, the work asks viewers to question their own behaviors and the impact on the world around them.

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01 01 01
01;011 01;011 01;011
01;01101 01;01101 01;01101
01;01101 01;01101 01;01101
01;01101 01;0110101;01101
01;01101 01;0110101;01101
01;01101 01;0110101;01101
01;01101 01;0110 01;01101
01;01101 01;0110 01;01101
01;01101 01;0110 01;01101
01;0110 01;01101 01;01101
01;0110 01;01101 01;01101
01;0110 01;01101 01;01101
01;0110 01;01101 01;01101
01;01101 01;01101 01;01101
01;01101 01;01101 01;01101
01;01101;01101 01;01101
01;01101;0110 01;01101
01;0110;01101 01;01101
01;0110;01101;0110
01;01101;01101
01;01101;01
01;011
01
My new work, entitled '¤ ·…', explores the concept of time and existence through the use of symbolic elements such as the hieroglyph-like characters and the repetitive use of the ellipsis. Through a minimalistic and enigmatic approach, I invite the viewer to contemplate the passage of time and the fleeting nature of our existence in a subtle yet thought-provoking manner. The inclusion of the abstract symbol '¤' adds an element of mystique and leaves room for individual interpretation. Overall, my intention with '¤ ·…' is to challenge the audience's perception of reality and provoke deeper introspection into the human experience.

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2WFEëDr®¾¤ ·_åcâbŒTœðÝN‰qì±ß=Ù„ûx7°¤Æ ߊ`…
4_ 0░13░0░9░5_░10░8░0░4░0░5_ 
4_ 0░13░0░9░5_░10░8░0░1░9░ 
4  4W  5F  9E  15ë 
4D  1r  10® 14¾ 0¤ 
4  2·  0_  11å 3c  
4  13â 0b  12Œ 4T 
4œ  14ð 0Ý 13N 5‰ 
4q  9ì 15± 0ß  1= 
4Ù  0„ 9û 15x 177 
4°  0¤ 14Æ 15  0ß 
4Š  2`  0… 13  7 
(Note: Some characters might not display correctly depending on the font used in your browser. Please refer to the UTF-8 code of each character to see the intended symbol.)
This piece represents the relentless pursuit of perfection and chaos, as symbolized by the random and intricate combination of characters in its title. It challenges traditional notions of art by pushing the boundaries of conventional language and visual representation. The use of symbols highlights the limitations of language in expressing complex emotions and ideas. The chaotic composition invites viewers to contemplate their own interpretations of the piece, blurring the lines between artist and audience. Ultimately, this masterpiece evokes a sense of curiosity and introspection, urging viewers to question their own understanding of the world.

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```
_ //
/'´/ 14░7▄▄ 14▄ ▄▄▄ 7▄▄ 14░░ ▄▄▄▄7╭
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7/| 7▄▄▄▄▄▄ 14▄░░░ 7░░░░ ░░░░ ░ ░ 14░
7▄' |.,▀░░░░░░ 14░░░░ 7░░░░ ░░░░ ▄▄▄░ 14░
14= 7▐@ö 14┼ 7┼ 14┼⌐ 7┼ 14┼▀▀▀▀▀`”▀`▀”▀▀` ▀
7░ 14▄░░ ┼ 7┼ 14┼ 7┼ 14┼ 7▄▄▄▄ 14┼┼ 7┼ 14┼┼
7▒░ 14░░┼┼ 7┼ 14┼ 7░░ 14│ ▄ 7┼ ▄ 14┼ 7┼
14░░░ ▀▀┼┼ 7┼ 14┼ 7░░░░ ░░┤▀┤┤ ┤ 14┼ 7┼
7░░ 14░ ░┼ 7┼ 14┼ 7░░ ░░░░░░░░░░ ░░ 14┼ 7┼
14░░░ ┼ 7┼ 14┼ 7░░░░░ ░░░░░ ░░░░ ░░ 14┼ 7┼ 14┼
7▄ ░░ 14┼ 7┼ 14┼ ▄███████▀▀ ▀▄┼┼┼┼▀▀▀ ▄ 7┼
14=.`▀▀▀▀ ▀▀ ▀ ▀ ▀▀▀ `▀▀▀▀ ▀▀▀ `▀▀▀▀ 7┼ 14┼ 7┼ 14┼
7░░░░░ 14┼ 7┼ 14┼ 7░░░░░ ░░░ 14┼ 7┼ 14┼ 7┼
14░░░ 7░░ ░░░░░ ░░░░░ ░░░░░ ░░ ░ ░░░ 7┼ 14┼ 7┼ 14┼
7▄▄ 14┼▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ 7┼ 14┼ 7┼
14 ░░░░ 7░░░░░ ░░░ ░ ░ ░░░░░░░░░░░░░░░░░░░░░░░░ ░░
7░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ 14░ 7┼ 14┼ 7┼ 14┼
7░░░░░░ ░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░ ░░
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7░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ 14░░░░░░░░░░░░░ 7░
14░░░░░░░░░░░░░░░░░░░░░░░░░░░ 7░░░░░░░░░░░░░░░ 14░
7▄ 14░░░.░░░░░░░░░░░░ 7░ 14░░░░░░░░░░ ░ 7 ▄
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7░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░ 7░
14░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░ 14░
14░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ 7▄▄▄▄▄▄▄▄▄▄▄ 14▄░
7░░░░░░░░░░░░░░░░░░░░░░░░░░ 14▄▄████████████▀ 7░░ 14░
14░░░░░░░░░░░░░░░░░░░░░░░ 7▄██████████████▀░ 14▀▀ 7░░
14░░░░░░░░░░░░░░░░░░░░░░░░░ 7░░░░░░░░░░░░░░░ 14░
7░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ 7░ 14▄░
14▄▄▄ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░* ▀▄ 14░
7▄▀▀ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ 14░
14░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░ ░
"My new artistic work is an abstract exploration of the complexities of human emotion and the chaotic nature of the modern world. Through the use of vibrant colors, intricate shapes, and cryptic symbols, I invite the viewer to delve into their own subconscious and contemplate the universal human experience. With a nod to our digital age, the title signifies the fusion of technology and art, challenging traditional notions of beauty and meaning. Through this piece, I aim to spark intellectual discourse and evoke a raw, emotional response in all who encounter it."

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══════════════════════════════════════════════════
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║ ║ ░░░░░░░░░░░║
║ ║ ░░░░░░░░░░░║
║ ║ ░░░░░░░░░░░║
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║ ║ ░░░░░░░░░░░║
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║ ╔╦╣╠╣╠╣╠╣º║º╠╣╠╣╠╣╠╣º ░░░░░░░░░░░║
║ ╠╣╠╣╠╣╠╣╠╣º║º╠╣╠╣╠╣╠╣º ░░░░░░░░░░░║
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║ ║╝ ╚╝ ░░░░░░░░░░░║
║ ║░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░║
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║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░║
║ ─────────────────────────────────────────────────║
║ 5,7 alumininum 8,7pan 4,7of 6,7heroin 4,7over 8,7sterno 5,7flame ║
══════════════════════════════════════════════════
My artistic masterpiece, 'Aluminum Pan of Heroin over Sterno Flame', aims to critique our societal obsession with instant gratification and the numbing effects of substance abuse.
By using the common household items of an aluminum pan and a sterno flame, I symbolize the accessibility and normalization of drug use in our society. The pan represents a vessel for the drug, while the sterno flame symbolizes the superficial and temporary high that numbs us from facing our deeper issues.
Through this piece, I am challenging viewers to reflect on the dangers and consequences of seeking quick fixes for our problems, and the potential devastation that can result from succumbing to the allure of instant gratification. It is a commentary on the destructive cycle of addiction and a call to action to address the root causes of our societal issues rather than masking them with substances.

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<a href="abstract-ascii-art-1.txt">abstract-ascii-art-1.txt</a> 27-Sep-2023 17:59 1614
<a href="abstract-ascii-art-10.txt">abstract-ascii-art-10.txt</a> 27-Sep-2023 18:42 2045
<a href="abstract-ascii-art-11.txt">abstract-ascii-art-11.txt</a> 27-Sep-2023 18:45 1177
<a href="abstract-ascii-art-12.txt">abstract-ascii-art-12.txt</a> 27-Oct-2023 10:46 3166
<a href="abstract-ascii-art-2.txt">abstract-ascii-art-2.txt</a> 27-Sep-2023 18:10 4898
<a href="abstract-ascii-art-3.txt">abstract-ascii-art-3.txt</a> 27-Sep-2023 18:21 828
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<a href="artful-asserole-display.txt">artful-asserole-display.txt</a> 06-Oct-2023 20:21 1146
<a href="artful-d%C3%B8rum-display.txt">artful-dørum-display.txt</a> 18-Oct-2023 05:41 1338
<a href="artistic-ascii-abstract.txt">artistic-ascii-abstract.txt</a> 27-Sep-2023 18:22 865
<a href="artistic-ascii-adventure-1.txt">artistic-ascii-adventure-1.txt</a> 27-Oct-2023 10:49 2076
<a href="artistic-ascii-adventure.txt">artistic-ascii-adventure.txt</a> 27-Sep-2023 18:22 4031
<a href="artistic-ascii-aesthetics.txt">artistic-ascii-aesthetics.txt</a> 18-Oct-2023 00:09 2272
<a href="artistic-ascii-creation.txt">artistic-ascii-creation.txt</a> 27-Sep-2023 18:01 973
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<a href="ascii-bird-wins.txt">ascii-bird-wins.txt</a> 13-Feb-2023 13:19 4060
<a href="ascii-credit-art.txt">ascii-credit-art.txt</a> 27-Sep-2023 18:51 1349
<a href="ascii-film-frenzy.txt">ascii-film-frenzy.txt</a> 26-Sep-2023 09:26 1977
<a href="ascii-irc-masterpiece.txt">ascii-irc-masterpiece.txt</a> 27-Oct-2023 10:33 2220
<a href="ascii-island-scene.txt">ascii-island-scene.txt</a> 27-Sep-2023 17:45 3036
<a href="ascii-movie-magic.txt">ascii-movie-magic.txt</a> 26-Sep-2023 09:26 4408
<a href="ascii-nirvana-land.txt">ascii-nirvana-land.txt</a> 12-Oct-2023 18:16 1999
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<a href="blubber-dumpling-.txt">blubber-dumpling-.txt</a> 23-Jul-2023 17:29 822
<a href="bogan-slut-art.txt">bogan-slut-art.txt</a> 18-Sep-2023 07:22 2062
<a href="bold-blocky-lines.txt">bold-blocky-lines.txt</a> 18-Oct-2023 05:48 7701
<a href="bold-graffiti-text.txt">bold-graffiti-text.txt</a> 27-Oct-2023 10:51 3968
<a href="bold-spartan-warrior.txt">bold-spartan-warrior.txt</a> 26-Sep-2023 09:21 3252
<a href="bone-plate-dinner.txt">bone-plate-dinner.txt</a> 27-Oct-2023 03:01 2177
<a href="bones-in-vacuum.txt">bones-in-vacuum.txt</a> 01-Sep-2023 07:22 2388
<a href="booty-bandits-odyssey.txt">booty-bandits-odyssey.txt</a> 24-Oct-2023 07:00 3499
<a href="booty-in-drag.txt">booty-in-drag.txt</a> 24-Oct-2023 06:59 3249
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<a href="chinballs-ascii-art.txt">chinballs-ascii-art.txt</a> 26-Feb-2023 04:18 1451
<a href="chinese-boob-burden.txt">chinese-boob-burden.txt</a> 25-Jun-2023 00:39 2891
<a href="chinese-chest-transformation.txt">chinese-chest-transformation.txt</a> 11-Oct-2023 03:02 5119
<a href="chinese-labor-saviors.txt">chinese-labor-saviors.txt</a> 27-Oct-2023 10:46 4359
<a href="chinkland-ascii-art.txt">chinkland-ascii-art.txt</a> 17-Apr-2023 00:28 2118
<a href="chode-ascii-art.txt">chode-ascii-art.txt</a> 25-Sep-2023 19:47 3714
<a href="chop--chop--nope-.txt">chop--chop--nope-.txt</a> 02-Sep-2023 16:48 2622
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<a href="coffee-on-desk.txt">coffee-on-desk.txt</a> 26-Sep-2023 09:22 2948
<a href="cold-ice-shine.txt">cold-ice-shine.txt</a> 24-Sep-2023 16:06 2015
<a href="colorful-ascii-art-1.txt">colorful-ascii-art-1.txt</a> 27-Sep-2023 18:30 2945
<a href="colorful-ascii-art-2.txt">colorful-ascii-art-2.txt</a> 27-Oct-2023 10:46 1042
<a href="colorful-ascii-art.txt">colorful-ascii-art.txt</a> 27-Sep-2023 17:39 2636
<a href="colorful-ascii-chaos-1.txt">colorful-ascii-chaos-1.txt</a> 27-Sep-2023 18:43 1169
<a href="colorful-ascii-chaos.txt">colorful-ascii-chaos.txt</a> 27-Sep-2023 18:40 2745
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<a href="complex-ascii-art.txt">complex-ascii-art.txt</a> 27-Sep-2023 18:43 809
<a href="computers-suck.txt">computers-suck.txt</a> 13-Feb-2023 13:23 746
<a href="cool-ct8-creation.txt">cool-ct8-creation.txt</a> 26-Sep-2023 09:23 1360
<a href="correlle-family-tradition.txt">correlle-family-tradition.txt</a> 27-Oct-2023 08:22 3651
<a href="correlle-plates-persist.txt">correlle-plates-persist.txt</a> 27-Oct-2023 08:22 1118
<a href="corrupt-politics-parody.txt">corrupt-politics-parody.txt</a> 09-Oct-2023 13:08 3265
<a href="cosmic-ascension-art.txt">cosmic-ascension-art.txt</a> 08-Oct-2023 20:17 733
<a href="cosmic-ascii-art.txt">cosmic-ascii-art.txt</a> 27-Sep-2023 18:41 3233
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<a href="ddos-by-skids.txt">ddos-by-skids.txt</a> 27-Feb-2023 09:52 2118
<a href="ddos-love-letters.txt">ddos-love-letters.txt</a> 05-Oct-2023 21:01 1667
<a href="deadly-anal-arsenal.txt">deadly-anal-arsenal.txt</a> 04-Oct-2023 22:48 6144
<a href="deadly-bird-automaton.txt">deadly-bird-automaton.txt</a> 27-Oct-2023 07:11 2230
<a href="deadly-detective-doodle.txt">deadly-detective-doodle.txt</a> 12-Oct-2023 19:01 5681
<a href="deadly-korean-gas.txt">deadly-korean-gas.txt</a> 26-Sep-2023 10:23 2654
<a href="deadly-vax-virus.txt">deadly-vax-virus.txt</a> 30-Sep-2023 18:33 1122
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<a href="digital-reality-reimagined.txt">digital-reality-reimagined.txt</a> 12-Oct-2023 18:12 4545
<a href="digital-warrior-one-1.txt">digital-warrior-one-1.txt</a> 26-Sep-2023 09:11 2000
<a href="digital-warrior-one.txt">digital-warrior-one.txt</a> 26-Sep-2023 06:21 1577
<a href="digital-wild-west.txt">digital-wild-west.txt</a> 27-Oct-2023 10:32 2748
<a href="digits-of-steel.txt">digits-of-steel.txt</a> 24-Sep-2023 16:32 5506
<a href="dignity-of-life.txt">dignity-of-life.txt</a> 28-Jun-2023 19:44 2198
<a href="dild-ascii-art.txt">dild-ascii-art.txt</a> 01-Apr-2023 06:39 1302
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<a href="durendal-of-trees.txt">durendal-of-trees.txt</a> 09-Jul-2023 11:00 1597
<a href="dw1-s-chat-art.txt">dw1-s-chat-art.txt</a> 04-Oct-2023 01:28 1952
<a href="dwaine-and-mama.txt">dwaine-and-mama.txt</a> 26-Jun-2023 00:29 3472
<a href="dyson-peace-struggle.txt">dyson-peace-struggle.txt</a> 27-Oct-2023 10:34 2160
<a href="d%C3%B8rum-ascii-delight.txt">dørum-ascii-delight.txt</a> 18-Oct-2023 05:44 3932
<a href="d%C3%B8rum-s-ascii-art.txt">dørum-s-ascii-art.txt</a> 18-Oct-2023 05:39 6305
<a href="ebm-scene-art.txt">ebm-scene-art.txt</a> 10-Sep-2023 18:16 1472
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<a href="faux-taxi-cab.txt">faux-taxi-cab.txt</a> 09-Oct-2023 13:09 2755
<a href="feathered-apologetic-reflection.txt">feathered-apologetic-reflection.txt</a> 26-Sep-2023 06:28 5094
<a href="feathered-flyer-frenzy.txt">feathered-flyer-frenzy.txt</a> 26-Sep-2023 09:11 966
<a href="feathered-food-feast.txt">feathered-food-feast.txt</a> 27-Oct-2023 09:35 2375
<a href="feathered-hebrew-flight.txt">feathered-hebrew-flight.txt</a> 26-Sep-2023 21:01 2185
<a href="feathered-home-haven.txt">feathered-home-haven.txt</a> 01-Oct-2023 13:35 2997
<a href="feathers-and-strings.txt">feathers-and-strings.txt</a> 28-Sep-2023 11:41 4241
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<a href="flaming-bag-diarrhea.txt">flaming-bag-diarrhea.txt</a> 25-Jun-2023 11:58 2501
<a href="flickering-film-reel.txt">flickering-film-reel.txt</a> 26-Sep-2023 09:27 1851
<a href="flip-trick-art.txt">flip-trick-art.txt</a> 15-Feb-2023 00:16 3739
<a href="floral-ascii-blooms.txt">floral-ascii-blooms.txt</a> 27-Oct-2023 10:49 1352
<a href="floral-community-creation.txt">floral-community-creation.txt</a> 24-Sep-2023 09:36 2296
<a href="floral-dream-sequence.txt">floral-dream-sequence.txt</a> 27-Sep-2023 19:01 4204
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<a href="geometric-ascii-art-1.txt">geometric-ascii-art-1.txt</a> 27-Sep-2023 17:10 2459
<a href="geometric-ascii-art-2.txt">geometric-ascii-art-2.txt</a> 27-Sep-2023 17:21 2677
<a href="geometric-ascii-art-3.txt">geometric-ascii-art-3.txt</a> 27-Sep-2023 18:44 1226
<a href="geometric-ascii-art-4.txt">geometric-ascii-art-4.txt</a> 27-Oct-2023 10:49 1538
<a href="geometric-ascii-art-5.txt">geometric-ascii-art-5.txt</a> 27-Oct-2023 10:54 5074
<a href="geometric-ascii-art.txt">geometric-ascii-art.txt</a> 27-Sep-2023 16:58 3489
<a href="geometric-ascii-composition.txt">geometric-ascii-composition.txt</a> 17-Oct-2023 10:21 1305
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<a href="harvard-phd-piss.txt">harvard-phd-piss.txt</a> 04-Oct-2023 00:18 3488
<a href="haunted-ascii-night.txt">haunted-ascii-night.txt</a> 08-Oct-2023 20:09 2188
<a href="hca-chat-art.txt">hca-chat-art.txt</a> 27-Jun-2023 14:06 1398
<a href="heat-of-addiction.txt">heat-of-addiction.txt</a> 27-Oct-2023 07:57 4499
<a href="helen-keller-smoking.txt">helen-keller-smoking.txt</a> 31-Aug-2023 01:10 2479
<a href="help--i-m-under-attack-.txt">help--i-m-under-attack-.txt</a> 21-Jun-2023 08:41 2323
<a href="hentai-appreciation-week.txt">hentai-appreciation-week.txt</a> 24-Aug-2023 00:49 1900
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<a href="irc-crime-time.txt">irc-crime-time.txt</a> 02-Apr-2023 05:58 4396
<a href="irs-fucks-me.txt">irs-fucks-me.txt</a> 12-Apr-2023 00:50 8985
<a href="is-black-mirror-for-fags-.txt">is-black-mirror-for-fags-.txt</a> 17-Jun-2023 06:15 1009
<a href="island-cumdrop-chronicles.txt">island-cumdrop-chronicles.txt</a> 27-Oct-2023 07:05 2528
<a href="jacking-off-in-air.txt">jacking-off-in-air.txt</a> 22-Aug-2023 11:00 4201
<a href="jacuzzi-toilet-shit.txt">jacuzzi-toilet-shit.txt</a> 13-Jun-2023 18:36 3002
<a href="jagerbomb-ascii-art.txt">jagerbomb-ascii-art.txt</a> 29-Jul-2023 02:55 1530
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<a href="machine-elves-ascii.txt">machine-elves-ascii.txt</a> 28-Mar-2023 23:59 7072
<a href="machine-elves-facial-expressions.txt">machine-elves-facial-expressions.txt</a> 08-Sep-2023 14:44 2509
<a href="mad-machine-madness.txt">mad-machine-madness.txt</a> 21-Oct-2023 17:48 4121
<a href="magical-ascii-garden.txt">magical-ascii-garden.txt</a> 27-Oct-2023 10:53 2968
<a href="magical-playground-adventure.txt">magical-playground-adventure.txt</a> 26-Sep-2023 20:14 1690
<a href="majestic-ascii-art.txt">majestic-ascii-art.txt</a> 27-Sep-2023 18:14 1894
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<a href="medieval-chess-pieces.txt">medieval-chess-pieces.txt</a> 26-Sep-2023 12:59 1642
<a href="melting-ink-masterpiece.txt">melting-ink-masterpiece.txt</a> 26-Sep-2023 06:18 3804
<a href="mentally-ill-chatter.txt">mentally-ill-chatter.txt</a> 15-Feb-2023 02:40 1408
<a href="metallic-dose-design.txt">metallic-dose-design.txt</a> 27-Oct-2023 08:24 6784
<a href="mexican-bean-harvest.txt">mexican-bean-harvest.txt</a> 25-Sep-2023 01:05 1718
<a href="mexican-help-complaint.txt">mexican-help-complaint.txt</a> 24-Sep-2023 16:36 5851
<a href="microsoft-niggernet-exploder-9.txt">microsoft-niggernet-exploder-9.txt</a> 09-Jul-2023 11:17 3847
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<a href="mysterious-alien-encounter.txt">mysterious-alien-encounter.txt</a> 08-Oct-2023 20:11 3668
<a href="mysterious-ascii-art-1.txt">mysterious-ascii-art-1.txt</a> 27-Sep-2023 18:05 593
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<a href="mysterious-ascii-creation.txt">mysterious-ascii-creation.txt</a> 27-Oct-2023 10:47 3755
<a href="mysterious-ascii-design.txt">mysterious-ascii-design.txt</a> 27-Sep-2023 18:36 1359
<a href="mysterious-ascii-masterpiece-1.txt">mysterious-ascii-masterpiece-1.txt</a> 27-Sep-2023 18:13 2458
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<a href="planet-jew-enters-nebula.txt">planet-jew-enters-nebula.txt</a> 24-Jun-2023 02:49 5711
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<a href="plant-based-brunch.txt">plant-based-brunch.txt</a> 19-Oct-2023 11:29 2575
<a href="plateful-of-love.txt">plateful-of-love.txt</a> 27-Oct-2023 08:23 4745
<a href="platinum-irc-extravaganza.txt">platinum-irc-extravaganza.txt</a> 24-Oct-2023 07:20 8893
<a href="please-let-me-sleep.txt">please-let-me-sleep.txt</a> 13-Feb-2023 16:31 2535
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<a href="presidential-blow-job.txt">presidential-blow-job.txt</a> 17-Feb-2023 09:36 2727
<a href="programming-retarded-cucks.txt">programming-retarded-cucks.txt</a> 25-Sep-2023 00:59 4448
<a href="propaganda-against-procreation.txt">propaganda-against-procreation.txt</a> 24-Oct-2023 07:55 4579
<a href="provigil-egg-delight.txt">provigil-egg-delight.txt</a> 27-Oct-2023 09:49 3496
<a href="psychedelic-dmt-trip.txt">psychedelic-dmt-trip.txt</a> 10-Sep-2023 21:35 2116
<a href="pube-forest-scene.txt">pube-forest-scene.txt</a> 28-Aug-2023 23:08 1324
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<a href="round-of-harmony.txt">round-of-harmony.txt</a> 03-Oct-2023 23:53 1942
<a href="royal-ascii-rule.txt">royal-ascii-rule.txt</a> 25-Oct-2023 15:56 1612
<a href="royal-taco-feast.txt">royal-taco-feast.txt</a> 27-Oct-2023 09:21 4897
<a href="rss-for-ukraine.txt">rss-for-ukraine.txt</a> 25-Jul-2023 05:32 3730
<a href="rufus-ascii-art.txt">rufus-ascii-art.txt</a> 18-Oct-2023 05:46 1058
<a href="runaway-jones.txt">runaway-jones.txt</a> 22-Jun-2023 18:33 1184
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<a href="sharp-sword-showdown.txt">sharp-sword-showdown.txt</a> 26-Sep-2023 06:15 6166
<a href="shear-my-ass.txt">shear-my-ass.txt</a> 07-May-2023 01:09 1339
<a href="shiny-blade-swirl.txt">shiny-blade-swirl.txt</a> 26-Sep-2023 05:57 16304
<a href="ship-launching-pecs.txt">ship-launching-pecs.txt</a> 27-Oct-2023 11:07 1183
<a href="shit-bitch-duck.txt">shit-bitch-duck.txt</a> 27-Oct-2023 09:30 1903
<a href="shit-hits-the-fan.txt">shit-hits-the-fan.txt</a> 10-Sep-2023 17:40 3955
<a href="shit-taco-art.txt">shit-taco-art.txt</a> 30-Jun-2023 02:40 4184
<a href="shitface-sunday-.txt">shitface-sunday-.txt</a> 21-Jul-2023 12:12 1828
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<a href="shunned-for-jacking.txt">shunned-for-jacking.txt</a> 24-Aug-2023 01:05 2566
<a href="shut-the-door.txt">shut-the-door.txt</a> 26-Sep-2023 11:25 3077
<a href="shuttlecock-vs-troll.txt">shuttlecock-vs-troll.txt</a> 09-Oct-2023 00:37 1916
<a href="sick-flow-attacker.txt">sick-flow-attacker.txt</a> 27-Oct-2023 08:20 4666
<a href="silenced-by-blades.txt">silenced-by-blades.txt</a> 26-Sep-2023 15:15 3155
<a href="silly-ascii-shenanigans.txt">silly-ascii-shenanigans.txt</a> 09-Oct-2023 22:38 1227
<a href="silly-shart-smile.txt">silly-shart-smile.txt</a> 25-Sep-2023 19:49 1367
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<a href="trans-fighter-fusion.txt">trans-fighter-fusion.txt</a> 24-Oct-2023 07:51 4617
<a href="trans-people-die.txt">trans-people-die.txt</a> 15-Feb-2023 04:07 2007
<a href="trash-on-top-.txt">trash-on-top-.txt</a> 22-Jun-2023 07:13 2861
<a href="trashy-bird-feast.txt">trashy-bird-feast.txt</a> 27-Oct-2023 09:37 6063
<a href="trees-are-fine-.txt">trees-are-fine-.txt</a> 22-Jun-2023 00:00 2829
<a href="trip-to-the-sewer-.txt">trip-to-the-sewer-.txt</a> 15-Sep-2023 07:14 2295
<a href="trippy-ascii-creation.txt">trippy-ascii-creation.txt</a> 27-Sep-2023 17:17 2874
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<a href="what-the-fudge.txt">what-the-fudge.txt</a> 26-Sep-2023 23:07 493
<a href="when-birds-cry.txt">when-birds-cry.txt</a> 13-Feb-2023 11:05 1983
<a href="when-crabs-cry.txt">when-crabs-cry.txt</a> 13-Feb-2023 10:55 2660
<a href="whimsical-dot-design.txt">whimsical-dot-design.txt</a> 27-Oct-2023 10:50 4303
<a href="whimsical-lizard-friend.txt">whimsical-lizard-friend.txt</a> 18-Oct-2023 08:39 990
<a href="whimsical-owl-art.txt">whimsical-owl-art.txt</a> 26-Sep-2023 09:08 1961
<a href="whimsical-race-car.txt">whimsical-race-car.txt</a> 08-Oct-2023 19:47 2030
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<a href="whisky-and-cpu.txt">whisky-and-cpu.txt</a> 23-Oct-2023 18:27 3178
<a href="whispers-of-wisdom.txt">whispers-of-wisdom.txt</a> 26-Sep-2023 09:22 4179
<a href="who-is-mama-cumbreath-.txt">who-is-mama-cumbreath-.txt</a> 02-Jul-2023 22:24 5469
<a href="wild-feather-dance.txt">wild-feather-dance.txt</a> 27-Oct-2023 10:48 3086
<a href="wild-tiger-ventures.txt">wild-tiger-ventures.txt</a> 26-Sep-2023 06:29 6843
<a href="wisdom-teeth-removal.txt">wisdom-teeth-removal.txt</a> 15-Feb-2023 10:46 2431
<a href="wishful-dick-bag.txt">wishful-dick-bag.txt</a> 10-Oct-2023 19:03 4356

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⣀⣀⣤⣤⣤⣤⣤⣴⣶⣶⣤⣤⣤⣶⣴⣤⣀⡀
⢀⣠⣖⡓⠛⠿⠿⠿⠻⢿⢿⢧⡀⢻⠿⢿⠿⣿⠟⠚⢻⡄
⢀⡰⠿⠃⣴⣶⠿⠝⠿⠿⠿⠿⠶⠶⠶⠶⠶⠶⠶⠶⠶⠶⠚⢧
⢠⡾⠃⢠⡞⠁⠹⣆⡀⠿⠤⠭⠭⠭⠭⠭⠭⠭⠭⠭⠵⠞⠷⡈⢻
⢠⡟⢠⡃⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢠⡟⢻
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢨⣺⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⡆⢰⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⠸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⣇⣸⢸⢏⠛⣰⢱⠏⣰⢱⣹⢸⢸⡇⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⣾⣧⣶⣿⣿⣶⠾⠿⠟⢸⢸⡇⢸
⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⢸⡇⢸⠿⠿⠁⠻⠿⠿⠁⢸⢸⡇⢸⢸⡇⢸
⡇
My new piece, 'the faggot nigger of cumdrop island', explores the complex and intertwined issues of race, sexuality, and imperialism. Through the use of bold and provocative imagery, I challenge the viewer to confront their own prejudices and confrontations with power structures. The title itself serves to subvert dominant language and confront the audience's discomfort with taboo topics. Ultimately, this piece serves to expose the inherent flaws and oppressive systems of our society.

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4 8 6 4 8 6 4 8 6 4 8 6 4 8 6 4
4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 5 4 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 5 4 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 5 4 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 4 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 5 4 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 5 5 5 4 5 4 5
4 5 4 5 4 5 4 5 4 5 5 4 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 5 5 5 4 5
4 5 4 5 4 5 5 4 5 4 5 4 5 5 5 4 5
4 5 4 5 4 5 4 5 4 5 5 5 5
"-'—<>æ° @Gr<47><72>f˜@TСh' is a bold exploration of the intersection between modern technology and traditional artistic forms. With a mix of abstract typography and fragmented symbols, the piece challenges viewers to contemplate the ever-changing nature of language and communication in our digital age."

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My new piece, 'cast iron heroin spoon', is a reflection on the destructive nature of addiction in our society. The cold, hard material of cast iron represents the harsh reality and unforgiving grip of drugs, while the delicate and dangerous spoon shape alludes to the physical act of injecting. By sparking discussions and evoking discomfort, 'cast iron heroin spoon' aims to confront and shed light on the devastating effects of substance abuse.

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(Note: This may not display correctly on all devices due to differences in font support. It is best viewed on a monospaced font such as Courier New.)
4 ____ 4 _______ 4 _______ 4 _______
4 / __ \ 4 / \ 4 / \ 4 / \
4 / / \ \ 4 | 3_____| | 4 | 8_____| | 4 | 3_____| |
4 / / \ \ 4 \ 3____ / 4 \ 3____ / 4 \ 3____ /
4 / /______\ \ 4 \| 3 \| 4 \| 3 \| 4 \| 3 \|
4 | |________| | 4 | |______ 4 | |______ 4 | |______
4 | | | | 4 / \ 4 / \ 4 / \
4 | | 14Ò4 | | 14Ò4 | 14~4 / 14~4 \ 14~4 / 14~4 \
4 | | 14Ò4 | | 14Ò4 | | 14ö4 | 14ö4 |_ 14ö4 | 14ö4 |
4 | | 14Ò4 | | 14Ò4 / / 14†4 | 14†4 \ 14†4 | 14†4 |
4 | |14Ò4 | |14Ò4 / / 14574 | 14574 \ 14574 | 14574 |
4 | |14Ò4 | |14Ò4 / / 12ÿ4 | 12ÿ4 \ 12ÿ4 | 12ÿ4 |
4 | |14Ò4 | |14Ò4 / / 12{4 | 12{4 \ 12{4 | 12{4 |
4 | |14Ò4 | |14Ò4 / / 12124 | 12124 \ 12124 | 12124 |
4 | |14Ò4 | |14Ò4 \| 12194 | 12194 \ 12194 | 12194 |
4 | |14Ò4 | |14Ò4 121›4 | 121›4 \ 121›4 | 121›4 |
4 | |14Ò4 / /14Ò4 12Ç4 | 12Ç4 | 12Ç4 | 12Ç4 |
4 | |14Ò4 / /14Ò4 12ª4 | 12ª4 | 12ª4 | 12ª4 |
4 | |14Ò4 / /14Ò4 12>F4 | 12>F4 | 12>F4 | 12>F4 |
4 | |14Ò4 \|14Ò4 12„4| 12„4 | 12„4| 12„4 |
4 | |14Ò4 \|14Ò4 12À414ò4/ 12À414ò4| 12À414ò4 |
4 | |14Ò4 \|14Ò4 12ò414Ø4- 12ò414Ø4| 12ò414Ø4 |
4 | |14Ò4 \|14Ò4 12-14|12>14’14 12-14|12>14’14 |
4 | |14Ò4 \|14Ò4 12’14 |12 ê14Ž12]1414¯14¥14ù14 14’14 |12 ê14Ž12]1414¯14¥14ù14 14’14 |
4 |/14Ò4 \|14Ò413’14 114[14'14 13’14 114[14'14 |
4 \|14Ò4 \|14Ò4 \|14Ò4 |
My latest artistic creation, entitled "QÒ~ˆö†57ÿ{›Çª>F„ÀòØ-|>’ êŽ]¯¥ù ’1[," is a powerful and thought-provoking piece that delves into the complexities of humanity and the interconnection of our inner selves with the greater universe. Through a masterful combination of intricate lines, bold colors, and abstract forms, I explore the depths of our subconscious minds and the existential questions that plague us all. It challenges the viewer to question their own existence and the meaning behind our actions. Through this piece, I hope to encourage introspection and push the boundaries of traditional artistic expression.

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╭──────────────────────────────────────────────────────────╮
　　　┃ ｡◕ ‿ ◕｡ ╱ ／ ＼ ╱＼ ／ ╲╱ ＼ ／╲＼ ／ ╱＼＼ ／╲＼ ／ ╱╲ ┃
　　　┃(◕◡◕)╱ ┃ ╱ (＝´∀`) ╲ ┃ ╲ ┃ ╲ (＝´ω`) ╲ ┃ ╱┃ ╲ ┃ ╲┃ ┃
　　　┃ 　 ╱ ╲┃ ╱ C o r r e l l e ╲┃ ╲C o r r e l l e ╲┃ ╱ ╲ ┃ ╲┃ ┃
　　　┃(◕◕) ╱∩╲ ╱ ╲ ╲╲ ╲╲ ╲ ╱ ╲╱ ╲ ╱ ╲╱ ╲ ╱ ╲╱╲ ╱ ╲╱ ╲╲ ╲┃ ╱┃ ┃
　　　┃ ╱ ╲ ╱ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲ ╲ ╱ ╲╱ ╲ ╱ ╲╱ ╲ ╱ ╲╱ ╲ ╲ ╲┃ ╲┃ ┃
　　　┃ ╲ ╲ ╲ ╲╱ ╲ ╲ ╱ ╲╲ ╲ ╲ ╲ ╲╲ ╲╲ ╲ ╲ ╲╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╱┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ┃ ╲┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╱┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╲┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╱┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╲┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╱┃ ┃
　　　┃ ╲ ╲ ╲╲ ╲ ╱ ╲╲ ╲ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲┃ ╲┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱╱ ╱ ╱ ╲ ╱ ╱ ╱╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╱┃ ╱┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲ ╲ ╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱ ╲╲╱ ┃ ╲┃ ┃
　　　┃ ╲ ╱ ╱ ╱ ╱ ╲ ╱ ╱ ╱ ╱ ╲╱
"Correlle plates is a commentary on consumerism and superficiality in modern society. Through the use of discarded plates, I have created a juxtaposition of materialistic value and perceived beauty. By arranging these mundane objects into a visually appealing composition, I'm challenging viewers to question their own inherent biases towards what is considered 'art'. In doing so, I am also shedding light on the wastefulness of our throwaway culture. Correlle plates forces us to confront our own attachments to material possessions and contemplate the true meaning of beauty."

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Eggs cooked in provigil oil is a stunning visual representation of the often overlooked intersection of modernity and nature. The hyper-stimulation of the mind, represented by the use of the cognitive enhancing drug Provigil, is represented through the perfectly cooked and streamlined eggs. However, the use of nature's bounty, specifically the delicate and nourishing eggs, reminds us of the primal and instinctual roots of human existence. The contrast between the sterile and industrial setting of the drug and the natural simplicity of the eggs creates a profound commentary on the complexities of our modern world. It challenges the viewer to question the trade-offs and consequences of our constant pursuit of productivity and enhancement. Overall, this piece is a thought-provoking and visually compelling exploration of the human condition.

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'The Princess Tacos' is a whimsical exploration of the collision between traditional fairy tale archetypes and contemporary culinary trends. Through the use of vibrant colors and sculptural techniques, I have created a visually stunning scene featuring a princess surrounded by a feast of tacos. What appears to be a lighthearted and playful image, upon closer examination, reveals intricate details and layers of symbolism, challenging the viewer to question societal constructs and the intersection of high and low culture. It is a commentary on the commodification of nostalgia and the acceptance of fast food as an integral part of our cultural identity.

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4 
4 The man tits that launched 1000 ships 4 
4 
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The man tits that launched 1000 ships is a provocative and thought-provoking commentary on the unhealthy obsession with male physicality in our society. Through a larger-than-life sculpture of exaggerated male breasts, this piece challenges traditional notions of beauty and masculinity. The title alludes to the myth of Helen of Troy and the power of physical appearance to incite war and destruction. It encourages viewers to question the shallow standards imposed upon men and the detrimental effects of toxic masculinity. This piece boldly and viscerally captures the complexity and fragility of modern-day masculinity.

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This piece is an abstract commentary on the current state of society, where individuals are constantly bombarded with profanity and crude language. By incorporating multiple instances of the word "shit" and combining it with the derogatory term "bitch" and the unexpected phrase "fuck a duck," I am highlighting the degradation of language and the shock factor it holds. The repetitive, elongated use of the word "shit" further emphasizes the overwhelming and desensitizing nature of our culture's obsession with vulgarity. Through this piece, I am challenging societal norms and provoking contemplation on the impact of language on our society.

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'DarkMage' is an immersive and provocative exploration of power, corruption, and self-destruction. Through the lens of the fictional character 'DarkMage' from the notorious 'EvilDojo', the audience is drawn into a world of twisted magic and harsh realities. With a pulsating beat and sharp lyricism, 'DarkMage' entrances and critiques, leaving the viewer questioning their own morality. It's a daring fusion of rap and visual art, defying traditional conventions and elevating the medium to new, thought-provoking heights.

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My new piece, titled "Smoke and Decay," explores the convergence of urban and natural elements in our society. The bird feeder, typically associated with nourishment and care for our avian friends, is now filled with discarded cigarette butts, representing the pollution and disregard for the environment. This juxtaposition prompts the viewer to reflect on the damaging effects of human actions on our surroundings. Through this installation, I aim to convey a commentary on the reckless and harmful habits that ultimately harm both ourselves and the world we inhabit.

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My new artistic masterpiece '·…' translates the complex, chaotic nature of existence into a minimalistic and hauntingly beautiful visual representation. The use of the ellipsis through non-traditional mediums challenges traditional notions of form and structure in art. The work prompts introspection and contemplation on the endless possibilities of the human experience.

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07,1,01███07,1, 01,1, 01,1, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 05,1, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 07,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 05,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 14,1,█, 14,1,█, 11,1,█, 01,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 05,1,█, 05,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 07,1,█, 07,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█, 11,1,█, 14,1,█, 11,1,█, 01,1,█, 10,1,█, 11,1,█,
My new piece, titled '2WFEëDr®¾¤ ·_åcâbŒTœðÝN‰qì±ß=Ù„ûx7°¤Æ ߊ`…', explores the complexities and nuances of modern societal perceptions through the use of abstract symbols and text. Through the seemingly random arrangement of characters and symbols, the piece challenges the viewer to question their own preconceived notions and examine the underlying layers of meaning within our daily experiences. By pushing the boundaries of traditional artistic form, I invite the audience to engage in a thought-provoking and introspective journey.

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<a href="adct1/">adct1/</a> 30-Oct-2021 19:37 -
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